Paul Greengrass is a film director, film producer, screenwriter and former journalist. The video of this Q&A can be viewed on YouTube.
>> scroll down for all the events in the series International Lectures Series – upcoming events: ILS 7: The Nature of Architecture – Lina Ghotmeh Thursday 21 February 2019, 6:30pm, Lecture Theatre 1
Darwin B40 Lecture Theatre (please note change from usual venue)Gray is Senior Lecturer in Fine Art, Critical Studies in the Art Department at Goldsmiths University, London. Her research explores the trajectories of militant filmmaking, particularly in relation to liberation struggles and revolutionary movements in Mozambique, Angola, Portugal, Guinea-Bissau and Burkina Faso.
Steve Goodman aka Kode 9 is a musician, theorist of sonic culture and founder of Hyperdub Records, the record label of Burial and Laurel Halo.
Richard Sennett has explored how individuals and groups make social and cultural sense of material facts — about the cities in which they live and about the labour they do. He focuses on how people can become competent interpreters of their own experience, despite the obstacles society may put in their way. His research entails ethnography, history, and social theory. As a social analyst, Mr. Sennett continues the pragmatist tradition begun by William James and John Dewey.
Gail Pickering makes sculpture, installations, performances and films.
Aaron Angell was born in Kent in 1987. He completed a BA at Slade School of Fine Art in 2011. He currently lives and works in London.The video of this lecture can be viewed on YouTube.
NP2F is an architectural practice founded in 2009. The office counts today fifteen people spread between Nice and Paris and working on projects all over France and abroad. The projects on which the NP2F office works on are both architectural and urban projects and its areas of expertise are sports, housing, cultural and educational buildings, places of relaxation and restoration, public spaces. The office acquired a strong knowledge of sports spaces in the metropolitan area of Paris by curating the exhibition “Sports, portrait d’une métropole” for the Pavillion de l’Arsenal in 2014. NP2F has successively delivered the National Center for Circus Arts – a teaching and sports building for the Ministry of Culture, multi-sports fields for the city of Alfortville and a physical education ground in Paris. The office is currently developing other sports projects such as the Sports Cathedral in Bordeaux Brazza. Furthermore, the office won last year the competition leading to the construction of the new Mediterranean institute of the the city and territories in Marseille (the city’s Architecture, Urbanism and Landscape Design school).
McKeever commenced working as an artist in 1969 after studying English Literature. His first solo exhibition took place at the ICA, London in 1973. His early work as a painter grew out of a conceptual interest in landscape, painting and photography in which often a photographic element was juxtaposed with a drawing or overpainted. The video of this lecture can be viewed on YouTube.
Lisa Lefeuvre is a curator and writer on art and Head of Sculpture Studies at the Henry Moore Institute, Leeds.
A reading and celebration of the work of Jean Spencer by Trevor Clarke and G R Thomson 28-Jan-2015
Richard Tuttle is one of the most significant artists working today. Since the mid-1960s, he has created an extraordinarily varied body of work that eludes historical or stylistic categorisation. Tuttle’s work exists in the space between painting, sculpture, poetry, assemblage, and drawing. He draws beauty out of humble materials, reflecting the fragility of the world in his poetic works.
The discussions that began in these research groups were extended and enacted upon as the groups developed Visual Culture events for the whole School, overseen and facilitated by Anne Duffau, Special Projects & Curriculum Coordinator. This led to a truly exciting series of events that engaged with the core of our research concerns.
28 October 2014: Joseph Kosuth in conversation with Hans Ulrich Obrist
Since the late 1960s Bruce McLean has employed a range of media to consider ‘the condition of sculpture,’ exploring the limits of what a sculpture can be.
21 November 2017: Melhem Sfeir6 February 2018: Dorothée Meilichzon13 February 2018: Hikaru Nissanke20 February 2018: Charles Kaisin27 February 2018: Max Kahlen6 March 2018: Jenny Jones13 March 2018: Tom Dixon
Ben Rivers is a filmmaker. In 2010 he was shortlisted for the Jarman Award and received a Paul Hamlyn Award for Artists. Recent exhibitions include Slow Action, Picture This, Bristol 2010 and Matt’s Gallery, London 2011. He is represented by Kate MacGarry Gallery London.
Alia Syed’s recent works combine her interest in storytelling with a compelling presentation of history as visual narrative. Her unique approach sutures different subject positions in relation to culture, diaspora and location. She was shortlisted for the 2015 Jarman Award and her latest film On a wing and a prayer was shown at London Film Festival in 2016.
Tintin Wulia was Artist-in-residence at Slade School of Fine Art, 28 September – 6 November 2015 as part of the Transnational Art Network research project at the Slade. The video of this lecture can be viewed on YouTube.
Garth Evans is a sculptor who began his career in Britain and now lives and works in New York. The video of this lecture can be viewed on Vimeo.
Suzanne Treister – From Fictional Video Games to Survivor (F) 7-Feb-2018
The RCA School of Fine Art is pleased to welcome Mihnea Mircan for the third Visual Cultures lecture of the series 2014/15. Mircan will give an insight on his latest project at Extra City Kunsthal in Antwerp.
In 2014/15, the RCA School of Fine Art hosted its third Visual Cultures public lecture series with a focus on today’s art production and culture. The theme, Contemporaneity and Other Tales, invited audiences and cultural figures to consider the world around them through various artistic mediums. Guest speakers, including distinguished artists, writers, curators and academics engaged audiences in conversations about today’s artistic production process and the broader cultural discussion that their art inspires.
Richard Gasper (born 1982) is a multi disciplinary artist from London. He studied Painting at the The Slade School of Fine Art 2001-5, BA 1st Hons, Painting at the Royal College of Art, 2005-7 (MA) and was awarded The Sainsbury Scholarship in Sculpture and Painting 2010-11 at The British School at Rome. The video of this lecture can be viewed on YouTube.
Jesse Wine, (b. 1983, Chester, UK, based in London) gained his BA Fine Art at Camberwell College of Art (2007) and his MA Sculpture at the Royal College of Art (2010). The video of this lecture can be viewed on YouTube.
(past) ILS 6: Exhaust: Art, Simulation + Accumulation – John Gerrard
Questions included how we continue to operate effectively and sustainably in a context of huge political and economic uncertainty; with diminishing resources, we can’t simply continue to build new structures, so how can we recycle our existing disciplines and institutions without becoming determined by their all too apparent shortcomings? How can we deconstruct presupposed territories/ideas/models and create other ways of seeing the future?
Dar Hi ecolodge, Nefta, Tunisia. Matali CrassetPhotographer: Jerome Spriet
Lala Rukh Selim is a sculptor and and associate professor of the sculpture department at the Faculty of Fine Arts of Dhaka University, Bangladesh. The video of this lecture can be viewed on YouTube.
Maheke’s work considers the potential of the body as an archive in order to examine how memory and identity is formed and constituted. Please note: this lecture will take place at the ANATOMY JZ Young Lecture Theatre, G29, Anatomy Building, Gower Street, London WC1E 6BT
2 December 2014: Susan Hiller in Conversation with Sarah Wilson
7 February 2017: Heather Phillipson, Anthea Hamilton & Eddie Peake chaired by Antony Hudek The Performative body, Law, Obscenity & Eroticism
UK-based artist, Christine Borland, works around the topics of ethics and bio-politics in art. She investigates collaborations between arts and medicine. Borland was nominated for the Turner Prize in 1997 and has shown internationally in numerous museums and large-scale exhibitions, most recently at Glasgow Sculpture Studios and Camden Arts Centre, London.
Borland collaborated with artist Brody Condon for the Edinburgh Art Festival 2013. Condon, based in New York and Berlin, creates performances, videos and sculptures that relate to obsession with fantasy in contemporary culture.
With presentations by ÅYRBRB and Castillo/Corrales, who will be part of Frieze Projects. Both talked about their respective projects. Bar Vulkan from Berlin also performed Bar, for the afternoon/evening.
Forthcoming speakers include Andrew Stevens from London-based design consultancy Graphic Thought Facility; French industrial designer matali crasset; Roberto Feo of post-disciplinary studio El Ultimo Grito; the director of London’s Design Museum, Deyan Sudjic; Alannah Western, former Creative Director of Selfridges and now Deputy Chairman of Selfridges Group; the leading British interior designer Ben Kelly; the visionary architect and designer Gaetano Pesce; the Senior Curator of Architecture and Design at the Museum of Modern Art Paolo Antonelli; Christophe Egret of architecture and urban design practice Studio Egret West; the renowned sculptor Richard Wentworth; and the architect David Chipperfield.
A wide range of materials are used to create artists¹s pigments, from minerals to organic dyes, from poisonous compounds to human remains. This talk will present a series of stories associated with the use of colour using examples from the Neolithic to the present which will demonstrate that colour is not the only driving factor in the choice of certain materials.The video of this lecture can be viewed on YouTube.
Margarita Gluzberg makes painting, drawings, installation and sound work.
Sarah Wilson is an art historian and curator whose interests extend from postwar and Cold War Europe and the USSR to contemporary global art. Throughout her career she has worked with intellectuals and curators and artists from Europe, contributing to several Centre Pompidou catalogues, including Max Ernst, Kurt Schwitters, Face à l’histoire, Féminin-masculin, Le Sexe de l’art, Beaubourg La Trentaine, Traces du Sacré(2008), and Voids (2009)
Tania Kovats is an artist whose practice encompasses sculpture, installation and large scale time-based projects exploring our experience and understanding of landscape. The video of this lecture can be viewed on Vimeo.
On myth and gender politics, feminism, minorities and representations.
Timothy Hyman talks about Bhupen Khakhar and his new book, The World New Made. The video of this lecture can be viewed on YouTube.
Paul Maheke – Paul Maheke: a circle of audibility 10-Jan-2018
Mariele Neudecker is an artist whose work explores environments as diverse as north-western Greenland, a domestic house in Brighton and the paintings of Caspar David Friedrich. The video of this lecture can be viewed on Vimeo.
Gerard Byrne is a visual artist working with photographic, video and live art. In 2007 he represented Ireland in the Venice Biennale. Other major presentations of his work at international biennials include the biennales of Gwangju and Sydney in 2008, Lyon in 2007, the Tate Triennial in 2006, and the Istanbul Biennale in 2003. Solo exhibitions of his work have been presented at the ICA Boston and the Statens Museum for Kunst, Copenhagen (both 2008), Dusseldorf Kunstverein, the Charles H. Scott Gallery, Vancouver (2007), the Frankfurter Kunstverein (2003) and at the Douglas Hyde Gallery, Dublin (2002). In 2006 he was a recipient of the Paul Hamlyn award.
Tomoko Takahashi is a Japanese artist, until 2010 based in London.
Emily Richardson’s films explore landscapes and environments to reveal the way that activity, movement and light is inscribed in place.
Merlin James is a painter based in Glasgow. He studied at the Central School of Art and the Royal College of Art, London. Recent solo exhibitions include ‘Meeting at the Building’, Douglas Hyde Gallery Dublin (current); ‘Long Game’, CCA Glasgow (current); ‘Genre Paintings’, Sikkema Jenkins & Co. New York (2015); ‘Freestyle’, Kunstverein Freiburg (2014); ‘Signal Box’, Kunst-Werke Institut Berlin (2013). The video of this lecture can be seen on YouTube.
Felicity D. Scott is Professor of Architecture at Columbia University’s Graduate School of Architecture, Planning and Preservation, where she directs the PhD program in Architecture (History and Theory), and co-directs the program in Critical, Curatorial and Conceptual Practices in Architecture (CCCP). Her books include: Architecture or Techno-Utopia: Politics After Modernism (MIT Press, 2007), Ant Farm (ACTAR, 2008), Disorientation: Bernard Rudofsky in the Empire of Signs (Sternberg Press, 2016), and Outlaw Territories: Environments of Insecurity/Architectures of Counterinsurgency (Zone Books, 2016).
Anne Hardy is an artist who photographs large-scale interior spaces which she carefully constructs over several months.
Contemporary Art Lectures are curated by a member of Slade academic staff and open to Slade students and staff. Please bring your UCL ID card with you to gain entry. They take place each week through the Autumn and Spring Terms.
Susan Hiller in Conversation with Sarah Pickering 11-Jan-2012
Amalia Pica (B. 1978 Neuquén, Argentina), lives and works in London.The video of this lecture can be viewed on YouTube.
Semiconductor is UK artist duo Ruth Jarman and Joe Gerhardt. In their art works they explore the material nature of our world and how we experience it through the lens of science and technology, questioning how they mediate our experiences.
Meekyoung Shin (b.1967; South Korea) is an internationally renowned London-based Korean artist.The video of this lecture can be viewed on YouTube.
Leckey’s practice ranges across performance, film, sculpture and sound, often creating a space where personal and cultural histories merge and transform. Leckey has exhibited widely, with recent solo exhibitions at the Hammer Museum, Los Angeles; Serpentine Gallery, London, Kölnischer Kunstverein, Cologne; ICA, London; and Le Consortium, Dijon. Leckey was awarded the Turner Prize in 2008.
Lectures are free and begin at 6.30pm | No booking is required but early arrival are advised | Doors will open 10 minutes ahead of the event.
The school of Fine Art’s flagship Visual Cultures Lecture Series returns in 2016 with Richard Sennett & Jonas Staal who will present their recent research and discuss their view in terms of activism, the commons and labour.
The series began with leading American artist Richard Tuttle to coincide with the opening of two of his major London exhibitions at Tate Modern Turbine Hall and the Whitechapel Gallery. Additional speakers included the ‘father of conceptual art’ Joseph Kosuth in conversation with Serpentine Gallery co-director Hans Ulrich Obrist; artist Susan Hiller; curator Mihnea Mircan and academic Saskia Sassen.
The big questions for us are to do with how can we address and reshape presumed territories, ideas and models to create other ways of seeing the future.
Jordan Baseman and the Disorder group invited eminent theorist Jack Halberstam from Columbia University to discuss ‘Bewilderment: Queer Theory After Nature’, which traced ‘new forms of disordered wildness as part of a decolonizing project’.
Adham Faramawy – Seasonal Insomnia. Not a topic, more a mitigating factor 24-Jan-2018
For this lecture Richard Sennet will present a paper titled ‘Touch’. He says “I want to use the occasion to talk about the physical work involved in making art”. Jonas Staal states “Making Worlds came to my mind. For me the key challenge of the past years has been to imagine and engage with forms of artistic practices that shape themselves specifically in relation to protest, social and revolutionary movements and organizations.”
Marguerite Humeau (born 1986, France) lives and works in London. She studied at the Royal College of Art, London, where she obtained her MA in Design Interactions in 2011.Venue: Wilkins Building (Main Building) Gustave Tuck Lecture Theatre
Hans Ulrich Obrist is a Swiss curator and currently holds the positions of Co-director of Exhibitions and Programmes, and Director of International Projects at the Serpentine Gallery in London.
Richard Wilson is a sculptor, internationally celebrated for his interventions in architectural space which draw heavily on the worlds of engineering and construction.
Free, no booking required. Seating on a first come, first served basis.
Doug Fishbone is an American artist living and working in London. He has shown at Tate Britain, the Hayward, ICA and the Southbank Centre, as well as gaining notoriety for ‘dumping’ 30,000 bananas in Trafalgar Square (2004).The video of this lecture can be viewed on Vimeo.
22 February: Antonino Cardillo11 December 2018: Tyen Masten27 November 2018: Steve Jensen20 November 2018: Professor Graeme Brooker
Laure Prouvost works with films and installations characterised by richly layered stories, translation, and surreal moments. Her seductive and disorienting tales toy with the audience’s ability to become fully absorbed by a single narrative. Her unconventional approach to text, montage, cinematic conventions, and imagery create a distinct visual language that is engaged in an ongoing conversation with the history of art and literature. Prouvost lives and works in London.
Sophie Raikes is the Assistant Curator (Sculpture) at the Henry Moore Institute.The video of this lecture can be seen on YouTube.
To coincide with an exhibition of Edward Allington’s work at UCL Art Museum.
Gavin Wade is an artist and curator and director of Eastside Projects in Birmingham.
Jon Revett is an artist and educator living in Amarillo, Texas. He is the Assistant Professor of Painting and Drawing at West Texas A&M University, but he also maintains an active studio practice. The video of this lecture can be viewed on YouTube.
Alice Channer is a sculptor concerned with materiality, consumerism and fashion.
This lecture will focus on the vital link between structure and uses. Through different projects, different scales, we will speak about how we create and design our projects according to their specific uses. We will put the emphasis on our project for the Mediterranean Institute of the the city and territories (IMVT), Marseille’s Architecture, Urbanism and Landscape Design school, where uses, structure and composition converge.
14 March 2017: Marvin Gaye Chetwynd & Nina Power chaired by Michael Newman Do we still have a subconscious? How to interpret the contemporary?
Kosuth is an American artist who is often referred to as ‘the father of conceptual art’.
Poetry and Patronage: Artist’s Thinking at Work in the City.The video of this lecture can be viewed on YouTube.
hance is crucial to Tim Knowles’ work, which is generated by apparatus, mechanisms, systems and processes beyond the artist’s control.The video of this lecture can be viewed on Vimeo.
Alison Joy Sleeman in conversation with John Timberlake 9-Mar-2011
Born in 1978 in Kent, England, Anj Smith studied at Slade School of Fine Art and at Goldsmiths College in London. The video of this lecture can be viewed on YouTube.
Next year, in order better to understand the context in which art is made and received, we plan to extend the debate from our cultural and contextual awareness of global change through a focused engagement on cultural identities – considering such themes as national or cultural belonging, gender identities and the politics of technology.
Aura Satz’s work encompasses film, sound, performance and sculpture. In recent years she has made a collection of films that look closely at sound visualisation through various technologies and acoustic devices, in parallel to an ongoing engagement with the question of women’s contributions to labour, technology and scientific knowledge.
9 May 2013: Penny Sparke28 February 2013: Richard Rogers 21 February 2013: Edward Jones CBE 7 February 2013: Petra Blaisse29 November 2012: Jason Bruges 8 November 2012: Ab Rogers
This series of talks feature international architects, designers, curators and writers who will discuss their own practice and dissect the role of interior design.
20 March 2014: Dinah Casson30 January 2014: Mark Dytham MBE23 January 2014: Marcus Fairs28 November 2013: Ben van Berkel21 November 2013: Jamie Fobert7 November 2013: William Russell16 October 2013: Annabelle Selldorf
From the Pompidou Centre, the Documents research group led by Professor Olivier Richon invited curator Philippe-Alain Michaud to discuss Aby Warburg ‘s Mnemosyne, or the ‘Cinematographic Machine Without Apparatus’.
Rotor is a cooperative design practice that investigates the organisation of the material environment. We develop critical positions through research and design. Besides projects in architecture and interior design, we also produce exhibitions, books, economic models and policy proposals. Rotor was founded in 2005. Today, a core of about a dozen long-term collaborators sets the agenda of the group. The concrete realization of our projects is tributary to a more extended network of ad-hoc collaborators. In 2016, the spin-off Rotor Deconstruction was founded as a separate entity. Its mission is to facilitate the reuse of building components.
Da Thirst (b. 2012) is an expanded form magazine and artist conglomerate. Da Thirst works with an international, rotating assemblage of artists, musicians, writers, and cartoonists to produce an annual publication. Da Thirst is distributed throughout Europe and the USA. Recent live events include Da Thirst Issue 3 Launch Party at Golden Grill Kebabs, Haters Gonna Fête at the ICA, and Da Thirst Issue 4 Launch Party at Super Exclusive Secret East London Warehouse Location. Da Thirst is very real. The video of this lecture can be viewed on YouTube.
Responding to a rising tension across the Pacific and arguing that we are yet to fully understand how war has impacted on perception, design and planning in modern architecture, this talk explores a narrative of modern architecture of Northeast Asia where war and geopolitical relations play a crucial role. This talk will share theoretical reflections and empirical cases – around a cluster of states in and beyond the region. Arguing for a borderless, networked approach, this study also explores how strategic thinking may become entangled with aesthetic obsessions, as Paul Virilio first sensed on the Atlantic Wall.
Places are free but need to be booked in advance, please click the event below for more information.
11 March 2014: Thomas Hirschhorn
(past) ILS 4: Uses – Structure NP2F (Paul Maitre-Devallon & Nicolas Guerin) Thursday 8 November 2018, 6:30pm, Lecture Theatre 1
Jussi Parikka is a media theorist and author of Insect Media Minnesota Press 2010 and What is Media Archaeology? Polity Press 2012. The video of this lecture can be viewed on YouTube.
Simon Bill, is a painter known for his oval shaped paintings using diverse material that range from abstract compositions to images that include Mr. Blobby and the duck/rabbit icon.
RCA talks Visual Cultures Lecture Series – Richard Sennett & Jonas Staal
On the public sphere and global transformations. How do we operate in a changing political environment and what makes sense?
Born in London in 1981, graduated from the Slade School of Fine Art in 2006, undertook a residency at the British School at Rome from 2008 to 2009, and in 2013 graduated from the Royal Academy Schools, London.
Ulla von Brandenburg lives and works in Paris. She works with film, drawing, installation and performance, and creates multi-layered narratives that explore boundaries between reality and artifice. Von Brandenburg engages with popular cultural forms from multiple epochs as a means through which to explore contemporary collective experience.
Working within seemingly archaic traditions such as the tableau vivant, von Brandenburg appropriates historical source material and transforms it into the present to tacitly reveal the rules that govern our social reality.
Nina Ashby is a psychic reader, teacher and healer of international repute, born with the ability to see the aura, or subtle energy that surrounds every living thing.The video of this lecture can be viewed on YouTube.
Christopher Ingold Building XLG2 Auditorium *note venue change. For directions, see the map.
Venice-born Vitturi arrived in London nine years ago, having graduated in photography and design in Rome in 2004 and served a creative apprenticeship with Fabrica, the famous Benetton-funded communications research centre in Treviso.
Timothy Hyman: Bhupen Khakhar (1934 – 2003) in the context of 20th Century Painting 12-Oct-2016
The 2013/14 Visual Cultures lecture series focused on sculpture and moving image. The series invited artists to investigate various aspects that contribute to the production, circulation and reception of their work. Through in-depth focus on a specific project of each guest speaker, the series aims to give an insight into the complex fabric of artistic production and explore what it means to work as an artist today.
Jeremy Millar is an artist, curator of and writer on contemporary art. The video of this lecture can be viewed on Vimeo.
Follow the Visual Cultures Lecture Series on Twitter and Facebook.
In 2017/18 the Visual Culture Events were programmed by the School of Arts & Humanities research groups. These research groups, that change from year to year, were led by senior staff within the School’s postgraduate research community (MRes, MPhil and PhD) and ‘gathered around a word’ to examine creative approaches and methods of research. They bring brought together staff and students with both practice- and thesis-based projects, and from different disciplinary perspectives, to explore and test the innovative forms through which we conduct our research. Last year the Absurdity, Disorder, Documents, Entanglement, Fiction and Politicised Practice research groups acted as both laboratory and workshop; as reading and crit groups. Students developed exhibitions, events, performances, films and texts that both confirmed and challenged their individual trajectories, experimenting with formats that could bridge disciplinary divides, while maintaining the focus and depth of subject expertise so necessary for research.
For Bob and Roberta Smith, art is an important element in democratic life. Much of his art takes the form of painted signs.The video of this lecture can be viewed on Vimeo.
Rob Kesseler works in the overlapping territories between Art, Design, Photography, Applied Art and Science.
1 November 2016: Johnny Golding & Shumon Basar, chaired by Tom McCarthyThe Post-Human & the Future of Humanity (watch video)
The conversation will be lead by Mel Jordan, Senior Tutor and Reader in Art and the Public Sphere at the RCA School of Fine Art, Sculpture Programme.
Ayesha Hameed’s work explores contemporary borders and migration, critical race theory, Walter Benjamin, and visual cultures of the Black Atlantic.
Centring on recent works: Western Flag, alongside an overview of older pieces such as Dust Storm, this lecture focuses on subjects of time, ecology, simulation and waste. Engaging with how the medium of simulation is well suited to speak of conditions of time post-cinema and how accumulation can be represented in a specifically new manner. The artist will also question the degree to which artists should take ownership of what can be called algorithmic space and present strategies for production outside of the single author model, alongside addressing divisions between art schools and other areas of knowledge generation.
Jake & Dinos Chapman make iconoclastic sculpture, prints and installations that examine, with searing wit and energy, contemporary politics, religion and morality.The video of this lecture can be viewed on YouTube.
4 February 2015: Ben Kelly21 January 2015: Christophe Egret28 January 2015: Alannah Weston17 December 2014: Deyan Sudjic OBE10 December 2014: Roberto Feo3 December 2014: Matali Crasset 19 November 2014: Andrew Stevens
Sally O’Reilly produces publications, videos and performances that find curious links between apparently divergent phenomena.
The Fiction research group’s event, led by Professor Rebecca Fortnum and Tai Shani, witnessed a stunning tour de force of performance and reflection around ‘fabulation’ by the actor and artist Dickie Beau.
In this lecture, Michael Bracewell will offer a consideration of cultural studies in relation to creative writing, belles lettres, contemporary art, pop, modern history and autobiography.
Saskia Sassen is the Robert S Lynd Professor of Sociology and Chair, The Committee on Global Thought, Columbia University. Her new book is Expulsions: Brutality and Complexity in the Global Economy (Harvard University Press 2014). Recent books are Territory, Authority, Rights: From Medieval to Global Assemblages ( Princeton University Press 2008), A Sociology of Globalization (W.W.Norton 2007), and the fourth fully updated edition of Cities in a World Economy (Sage 2012).
Our final event of the year was a remarkable evening of spoken word and performance assembled by Dr Chantal Faust and the Absurdity group with Ed Atkins, Katrina Palmer and Sally O’Reilly.
Emma Hart lives and works in London. In 2016 she was won the Max Mara Art Prize for Women in collaboration with the Whitechapel Gallery and will have a solo exhibition there in 2017. In 2015 she was awarded a Paul Hamlyn Foundation award for Visual Art. The video of this lecture can be viewed on YouTube.
Born in Oxford in 1945, he qualified in architecture in the late 1960s and has worked across the fields of sculpture, stage design, drama, opera, parades, festivals and interior design.
The Visual Cultures Lecture Series enables us collectively to learn as we produce new knowledge. The lectures address questions pertinent to our understanding of Fine Art and its broader context today. Guest speakers range from distinguished artists and writers to curators and academics, who are invited to speak about their work in relation to a given line of enquiry. Each lecture series, together with related seminar and workshop activity, contributes towards a body of material which is collated as a source of new insights in the field and made available within the Royal College of Art and to our broader community.TT
Charlotte Cullinan and Jeanine Richards are an artist duo whose output is largely involved with the idea that ‘the exhibition’ can be a medium itself.The video of this lecture can be viewed on Vimeo.
Metod Blejec is a multidisciplinary free-range hybrid-creative who works across experimental art, design, education and consultancy. Hiraki Sawa’s video installations present intimate observations in transitory landscapes, familiar surroundings often inhabited by anoetic forms.The video of this lecture can be seen on YouTube.
(past) ILS 5: Rotor / Rotor Deconstruction – Working with the not new ROTOR (Renaud Haerlingen & Tristan Boniver) Thursday 15 November 2018, 6:30pm, Lecture Theatre 1
Denzil Forrester’s work is rich, complex and highly sophisticated. The strength of his draftmanship and his extraordinary use of colour enable him to bring to his canvasses dynamic movement, and purposeful power. London’s urban life is his main source of inspiration. The video of this lecture can be viewed on YouTube.
Gavin Butt is an art historian and author of Between You and Me: Queer Disclosures in the New York Art World 1948-1963, Duke University Press, 2005 and editor of After Criticism: New Responses to Art and Performance, Blackwell, 2004.
Please Note this lecture will take place in the Darwin Lecture Theatre, B40, Darwin Building, Gower Street, London, WC1E 6BT.Gower Street door closed. Please enter via Darwin Walk (off Malet Place).
Dr Mel Jordan and the Politicised Practice group invited Kristin Ross from New York University to discuss ‘The Seventh Wonder of the Zad’ (‘zone à defendre’), exploring ‘the notion of territory and the logics of difference’ with a response by Mark Hutchinson.
Jean Spencer was Slade Secretary and Tutor to Students 1988 – 98 and was made a Reader in 1995.
On stories of the city. How can we repurpose our environment and places?
EU Students EU students applying to English universities for autumn 2019 entry will benefit from the current system of postgraduate loans and pay the same fees as UK students, for the duration of their programme.
18 October 2016: Esther Leslie & Mike Stubbs, chaired by Jonathan P WattsThe Politics of Technology
In 2014/15 the Visual Cultures Lecture Series addressed the theme of contemporaneity as an ungraspable concept always to be defined. The series started with presentations from artists and expanded to include contributions from historians, theorists and cultural critics.
Andrew Hunt is the director and curator of Focal Point Gallery Southend and a jury member for this year’s Turner Prize. The video of this lecture can be viewed on YouTube.
Staal’s work includes interventions in public space, exhibitions, theater plays, publications and lectures, focusing on the relationship between art, democracy and propaganda. He regularly publishes in books, newspapers and magazines – his written work appeared in e-flux journal, Manifesta journal, Frakcija magazine, Metropolis M, nY, NRC Handelsblad and de Groene Amsterdammer. Staal lives and works in Rotterdam NL.www.jonasstaal.nl
Jianfei Zhu, PhD (UCL), teaches and writes in Chinese and English. He is the author of Chinese Spatial Strategies (Routledge, 2004), Architecture of Modern China (Routledge, 2009), and Forms and Politics (Tongji University Press, 2018). His essays include ‘A Celestial Battlefield’ (AA Files, 1994), ‘Criticality in between China and the West’ (Journal of Architecture, 2005), ‘Robin Evans in 1978’ (Journal of Architecture, 2011), and ‘Empire of Signs of Empire’ (Harvard Design Magazine, 2014). He pioneered the introduction of Foucault and social theories into architectural studies in/on China. Aiming to integrate political and formal concerns, he is working on a geopolitical narrative of modern architecture around a cluster of states.
Widely credited with having contributed to the revival of painting in the 1990s, Belgian artist Luc Tuymans continues to assert its relevance by addressing a diverse range of topics. Quiet, restrained, and at times unsettling, his works engage equally with questions of history and its representation as with quotidian subject matter cast in unfamiliar and eerie light. Painted from pre-existing imagery, they often appear slightly out-of-focus and sparsely colored, like third-degree abstractions from reality. Whereas earlier works were based on magazine pictures, drawings, television footage, and Polaroids, recent source images include material accessed online and the artist’s own iPhone photos, printed out and sometimes re-photographed several times. The video of this lecture can be viewed on YouTube.
Mark Titchner is an artist who explores systems of belief, focusing on marginalized or forgotten ideologies and objects. The video of this lecture can be viewed on YouTube.
Talks take place in Lecture Theatre 1, Royal College of Art, Kensington Gore, London SW7 2EU at 6.30pm
Tess Jaray was born in 1937 and studied painting at St Martins School of Art and the Slade School of Fine Art, where she later taught until 1999. She has exhibited nationally and internationally, and has work in public collections including the Tate Gallery, the Arts Council and the British Museum. The video of this lecture can be viewed on YouTube.
Hoor Al-Qasimi, President and Director of the Sharjah Art Foundation, is a practicing artist who received her BFA from the Slade School of Fine Art, London (2002), a Diploma in Painting from the Royal Academy of Arts (2005) and an MA in Curating Contemporary Art from the Royal College of Art, London (2008).
(past) ILS 3: War and Architecture: Geopolitics and Modern Architecture in/around East Asia Jianfei Zhu Tuesday 6 November 2018, 6:30pm, Lecture Theatre 1
Contemporary Art Lectures take place in the Cruciform Lecture Theatre.
Previously also known as ‘Talking Interiors’. Talks from previous series can be viewed at RCA Talks.
Kodwo Eshun is an artist and member of The Otolith Group (with Anjalika Sagar).
Professor Johnny Golding and the Entanglement group opted for a carnival, entitled ‘Marl: Sometimes Hard, usually Soft’, with guest appearances from Leo Costner, Amir George, Manu Luksch, Martin Reinhart and UBERMORGEN as well as the research group themselves.
Producer, artist, programmer and hacker.Venue: Christopher Ingold Building XLG1 Chemistry Lecture Theatre. Please note venue change. For directions, see the map.
Jonas Staal (1981) is an artist that has studied monumental art in Enschede NL and Boston USA. He currently works on his PhD research entitled Art and Propaganda in the 21st Century at PhDArts program of the University of Leiden NL. Staal is the founder of the artistic and political organization New World Summit that develops alternative parliaments for stateless organizations banned from democratic discourse and, together with BAK, basis voor actuele kunst, Utrecht, of the New World Academy, that researches the role of art in stateless political struggle. He is further the co-initiator of the Allegoriesproject (2011-ongoing, with Carolien Gehrels and Hans van Houwelingen) that organises debates between artists and political parties, as well as of the Artist Organizations International platform (2015-ongoing, with Florian Malzacher and Joanna Warsza), which connects artist-led organizations through conferences and international exchanges.
Swiss-born artist Thomas Hirschhorn creates mixed-media installations, often using everyday materials such as cardboard, foil and duct tape, juxtaposed with found imagery such as violent scenes and pornography. Hirschhorn previously worked in a group of political graphic artists in 1980s Paris which influenced his use of common materials as a political statement. With each exhibition – in museums, galleries, alternative spaces – as well as with specific works in public space, Hirschhorn asserts his commitment toward a non-exclusive public.
What role can the 21st century art institution play for the artists?
International Lecture Series – past events: (past) ILS 2: Nothing is a Closed Circuit – Felicity D. Scott Thursday 25 October 2018, 6:30pm, Lecture Theatre 1
Liz Price is an artist Filmmaker artist Exhibitions include The Tent Bloomberg Space London Here Baltic Gateshead and The Woolworths Choir of 1979 MOTINTERNATIONAL London, all 2012.
Caroline Achaintre is an artist interested in German Expressionism and post-war modernism.
During the 2016/17 academic year our Visual Cultures Lecture series addressed the theme of global transformations. The series facilitated discussions between artists, historians, theorists and cultural critics.
Visual Cultures Lecture Series 2015/16: Rise Up and Envision
Sophie Jung (b.1982) lives and works in Basel and London. Her practice addresses representation and its pitfalls, both culturally as a system of disguised and shifting signs and personally as a way to track and record life.
Visual Cultures Lecture Series 2014/15: Contemporaneity and Other Tales
Sudanese artist Ibrahim El-Salahi studied at the Slade in the 1950s. His work was on show in the exhibition Ibrahim El-Salahi: A Visionary Modernist at Tate Modern in 2013. The video of this lecture can be seen on Vimeo.
Robin Mackay is a philosopher and editor and publisher of Collapse Journal of Philosophical Research and Development. The video of this lecture can be viewed on YouTube.
Adham Faramawy is an artist based in London. His work spans media including moving image, sculptural installation and print, engaging and using technology to discuss issues of materiality, touch, embodiment and identity construction.
From the Archeology of the city to the Archeology of Nature, Lina Ghotmeh’s lecture transports us into the Future of Memory. Every project is an entry into a new sensitive realm; a narration imbued with history, memory, materiality. Textures are drawn with nature, built with earth, telling the quintessential story of our multidisciplinary field. From Art to Architecture, from Anthropology to Anatomy, every design is a new quest.
Gorvy Lecture Theatre, Dyson Building, 1 Hester Road, London SW11 4AN
A British artist of Balinese descent, Sinta Tantra was born in New York in 1979. Tantra is well regarded for her site-specific murals and installations in the public realm. The video of this lecture can be viewed on YouTube.
25 April 2017: Luc Tuymans & Gilane Tawadros chaired by Georgios Kontis Cultural ID, Europe & Authenticity
Archives | Visual Cultures Lecture Series 2016/17: Orientations – Locate & Reshape
Lina Ghotmeh Architecture (LG-A) is a critically acclaimed, international firm of architects, designers, and researchers based in Paris. Innovative, the firm’s work crosses scales- from object designs to museum’s architecture, and geographies- with projects from France to Japan. Materially sensitive, every work emerges in tight dialogue with nature soliciting memory and senses. LG—A is led by Lina Ghotmeh, one of the industry’s leading international architects, co-author of the Estonian National Museum (Grand Prix Afex 2016, nominee of the Mies Van Der Rohe Award 2017). She has been prized the 40/40 European Award, the Prix DEJEAN of French Academy, the AJAP French Ministry of Culture Award and is considered as one of the “5 Biggest Talents of 2018” for the International Dezeen Awards.
We aim to create a platform for knowledge exchange through this series of public talks. Each event will host two guests in a conversation chaired by one member of RCA staff to debate subjects that we feel need to be addressed not only within art and education but also in a broader context. Observing societal changes, with instability and uncertainty of this year ahead, we will ask how we can transform, orientate or re-orientate existing practices, disciplines and structures in order to meet these challenges.
Lydia & Manfred Gorvy Lecture TheatrePhotographer: Richard Haughton
Alanna Heiss, Director of Clocktower Productions, is a leader of the groundbreaking early 1970’s alternative spaces movement in New York City, which radically changed the way large-scale art projects were produced, shown, and seen.The video of this lecture can be viewed on YouTube.
Spartacus Chetwynd stages performances and events that restage iconic, historical events.
Leung Mee Ping has had an international career since graduating from L’Ecole Nationale Supérieure des Beaux-Arts, Paris, France and obtaining her MFA from California Institute of the Arts, USA.
George Henry Longly works with sculpture, video, music and performance.
Jacqui Poncelet established herself as a major figure in the international ceramics scene during the late 1970’s and I980’s before diversifying her practice to work in a wide range of media including painting, sculpture and textiles, as well as public commissions one of which was a series wool blankets produced for the Tate with Merlin Tregwynt.The video of this lecture can be viewed on YouTube.
John Russell is an artist whose recent solo shows include Jexus, MOTINTERNATIONAL Brussels 2012; Angel of History: I can see for miles, Focal Point Gallery Southend 2011; and Ocean Pose, Matts Gallery London. The video of this lecture can be viewed on YouTube.
2016 sees the start of a new Visual Cultures Lecture Series, titled Making Worlds which will ask big questions to do with how we can continue to operate effectively and sustainably in the context of huge political, economic uncertainty and with diminishing resources. We can’t simply continue to build new structures, so how can we recycle our existing disciplines and institutions without becoming determined by their all too apparent shortcomings? How can we deconstruct presupposed territories/ideas/models and create other ways of seeing the future?
Matthew Jarron is Museum Curator at the University of Dundee where he has responsibility for the University of Dundee’s historic collections of art and artefacts. The video of this lecture can be viewed on Vimeo.
Emerging in the early 1970s, after initially studying as an anthropologist, Hiller is now one of the most influential artists of her generation. Hiller’s practice has infused conceptual and minimalist strategies and aesthetics with the influence of feminism, popular culture and psychoanalysis, creating works in a diverse range of media: notably sculpture, performance, video, photography, drawing and installation.
16 October 2015: Special Frieze Event ÅYR and castillo/corrales(6:30–8pm) with an afternoon of performances by Bar Vulkan (4:30-6:30pm & 8–9pm)
In the mid 1990s, as the work-world of modern capitalism began to alter quickly and radically, Mr. Sennett began a project charting its personal consequences for workers, a project which has carried him up to the present day. The first of these studies, The Corrosion of Character,  is an ethnographic account of how middle-level employees make sense of the ‘new economy’. The second in the series, Respect in a World of Inequality, (2002) charts the effects of new ways of working on the welfare state; a third, The Culture of the New Capitalism, (2006) provides an over-view of change. Most recently, Mr. Sennett has explored more positive aspects of labor in The Craftsman (2008), and in Together: The Rituals, Pleasures and Politics of Cooperation (2012). The third volume in this trilogy, The Open City, will appear in 2016.www.richardsennett.com
John Gerrard (b. North Tipperary. Ireland 1974) is an artist working in Dublin and Vienna, best known for his sculptures, which typically take the form of digital simulations displayed using real-time computer graphics. Recent solo exhibitions include : Solar Reserve, LACMA, LA, USA, Western Flag, Somerset House with Channel 4, London, England, Power.Play, Ullens Centre for Contemporary Art, Beijing, China, Infinite Freedom Exercise, Pinakothek der Moderne, Munich, Germany, Solar Reserve, Lincoln Center in Association with the Public Art Fund, New York NY, Exercise, Borusan Contemporary, Istanbul, Turkey, Pulp Press (Kistefos), Kistefos Museet, Jevnaker, Norway, Exercise (Djibouti), Modern Art Oxford, Oxford, England. Gerrard’s work is in the collection of Tate, London; MoMA, New York; SFMOMA, San Francisco; LACMA, Los Angeles; Hirshhorn Museum and Sculpture Garden, Washington; Kistefos Collection, Norway; IMMA, Dublin; Borusan Contemporary, Istanbul, M+, Hong Kong. John Gerrard is represented by Thomas Dane Gallery, London and Simon Preston, New York.
Biswas works across different media including painting and drawing, film, digital video, performance and photography. Her art engages with questions of identity, race and gender in relation to time, space and history.
Harold Offeh is an artist working in a range of media including: performance, video, photography, learning and social arts practice.Venue: Christopher Ingold Building XLG2 Auditorium
Focusing on Chilean-born artist/architect Juan Downey’s 1969 sculpture With Energy Beyond These Walls, this lecture revisits his electronic and cybernetic works of the late 1960s and early 1970s, reading their structurally ambivalent semantic and operational logics, and their modes of switching, as harboring a political vocation, one becoming more evident, and more urgent in the wake of the military coup d’état in Chile and the assassination of its democratically elected, socialist President, Salvador Allende. Departing from readings celebrating Downey’s early works as paradigms of interactivity or as inviting “participation,” I want to argue that they are better read as allegories the shifting semiotic, media-technical, institutional, economic, and geopolitical matrix that emerged after World War II, a largely US-dominated realm that informed so many aspects of the so-called New World Order of the Cold War and its many forms of violence. Downey was not only necessarily embedded within this matrix but proves an insightful guide to its mode of operation and its stakes for architecture, art, and environmental projects. Recasting the architect as a savvy “information worker,” an agent capable of refunctioning environments through interfering with messages, as harboring vocational skills for “detection, processing and dispersal of information,” Downey’s works modeled environmental systems as they operated as techniques of power, both upon the bodies and psyches of subjects as well as in a wider geopolitical domain. Hence in 1977 he connected technical systems and energy sources explicitly to “wars, repression, colonialism, racism and other atrocities,” desublimating the political stakes at play in his long-standing engagement with that US-led apparatus, the often-brutal political, economic, and geopolitical logics of which played out all too violently in Chile in 1973 and beyond.
Nick Crowe is an artist and senior lecturer in Fine Art at Goldsmiths. His work made in collaboration with Ian Rawlinson is primarily concerned with the languages of power, with its grammar and with its rhetoric.The video of this lecture can be viewed on Vimeo.
Richard Sennett is the Centennial Professor of Sociology at the London School of Economics and University Professor of the Humanities at New York University. He has explored how individuals and groups make social and cultural sense of material facts — about the cities in which they live and about the labour they do. He focuses on how people can become competent interpreters of their own experience, despite the obstacles society may put in their way. His research entails ethnography, history, and social theory. As a social analyst, Mr. Sennett continues the pragmatist tradition begun by William James and John Dewey.
Dr Jesse Ash and Dr Jaspar Joseph-Lester staged an event called ‘That Language Matters; Example, Testimony, Performance’ with wide-ranging contributions from Mira Mattar, Marina Vishmidt, Benjamin Noys and Ash Sarkar.
Daniel Richter (born 1962) is a German artist based in Berlin and Hamburg.