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Interior Photographs Of The Gamble House Gamble House

Interior Photographs Of The Gamble House Gamble House Interior Photographs Of The Gamble House Gamble House

As well as eye-catching initial designs, architecture firms, real estate agents, restaurants, cafes and hotels must get their interior photography right or risk being lost in the crowd.

In any case, focus on the goal and be sure about it before you go to the shoot.

Once you begin taking interior photos exclusively with natural light, you’ll see just how much more beautiful it makes the final result. Colors will appear fresh and clean, shadows will come from more natural directions (rather than, say, above), and the chances of needing to adjust your white balance in post-production are severely diminished.

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It’s interior photography, but it’s not so much about interior, it’s more about the atmosphere and feeling of the place; you want to make the restaurant’s (future) customers want to be here.

Note: When it comes to editing RAW photos, my go-to software is Photoshop—its built-in RAW Editor does a wonderful job and is very feature-rich.

Whenever appropriate, try to tell a story through your images, focus on interesting details that make this place special, use people as models to set the mood and atmosphere, and think through your styling – even the smallest details matter!”

New to interior photography? Were these professional tips helpful? Let us know in the comments below!

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Each client and each image have different requirements and things to consider.

In this case, focusing on the senses can be a good approach – you probably don’t want to shoot the restaurant looking cold and empty.

Of the many reasons to shoot in RAW mode, one of the best is because it allows you to have the most control over your final image. RAW files preserve much more photographic information, allowing you to retrieve seemingly blown-out or underexposed areas, adjust white balance more accurately, and determine the final size of your photo.

As a general rule, you are looking for soft lighting, so try shooting with natural light from the windows during the photography ‘golden hours’ – early in the morning or late in the afternoon.

To add a sense of grandeur, try shooting a wide angle from high up in the corner while keeping the camera straight.

You can download it completely free to refine your skills and unravel some of the mysteries associated with manual camera settings.

PRO TIP – VAIBHAV KAPADI Vaibhav Kapadi captures the detail of the impressive ceiling in the Maxus Multiplex in Mumbai

Some carefully placed cushions or a stack of newspapers can give your interior photography some much needed character.

“Most of the time, one image is enough to work with in post-production, but when you are photographing a difficult situation, where there’s gonna be lots of dark and very bright places, it would be advisable to use a blending tool.

Interior photography lighting is so important that it’s almost a specialism in itself. You need to balance the lighting so there are no overly dark shadows or overly bright highlights.

PRO TIP – OLAFS BARONS Interior image by Olafs Barons featuring clever use of depth of field

PRO TIP – LINA SKUKAUSKE Add details to give character and focus, as in this shot from interior photographer Lina Skukauske

To help you stay ahead of the curve, here are our top 10 interior photography tips from the experts…

Always take a standard lens along too for the close ups of details you might want to capture to support the wide angles.

You should purchase a purpose built wide angle lens for the best results. A 16mm to 24mm lens will allow you to get a great perspective from the corners of the space.

Take care of the balance between the left and right hand side (in composition) and make sure that the floor and ceiling are shown in the right proportions.”

It’s very rare that an  interior design image comes out exactly as you want it to look, with the difficulties of shooting in a confined space with awkward lighting.

Quick note: Although natural light is by far the best light to shoot with, not all natural light is created equal. It’s best to avoid times of day when sun is shining directly into your room—this will keep certain areas from being brighter or more blown out than others. As is true with shooting outdoors, photographing on a cloudy day is actually ideal—clouds act as a natural soft box, diffusing the light and creating even, subdued shadows.

Don’t just start shooting the interior at random – think about the image you want to capture before taking the photographs.

If there is some unwanted detail in the background of the shot, you could always blur it out with a smaller f-stop.

It’s important to keep in mind that you, as the photographer, are essentially The Omnipotent Master of The Universe within your photos. Meaning: feel free to move stuff. If you can’t take the perfect photograph of your couch because there’s a big ol’ credenza behind you, move that credenza! If there’s a houseplant where you need your tripod to be, move that houseplant! If you can get a better shot of the room in question from the next room over, then by all means—shoot through the door! BOOM:

Sky-high cabinets and mirrored backsplashes are your friends here.

This option does not interfere with colours, like HDR for example, so it’s good to use in some situations, but to use that you need to first look at tons of great images so that your brain can get used to natural looking interior shoots before you do any post-production.”

Remember in cases like this that it’s their work and they have their needs that you have to fulfill.

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Try to make sure you get the composition correct first time round to prevent the excessive need for vertical correction, and keep post-production to a minimum – contrast, highlights and shadows, and cropping.

“When starting on an interior photography project, you first need to think through what is the end goal of it?

Use the light that is available to you in the room – lamps, overhead lighting, fireplaces, and natural light from windows.

Our Beginner’s Guide to Professional Photography is aimed at helping digital photographers improve their craft.

Play around with different combinations of lights to try to achieve the best for every space.

Point of view: Selecting the best point of view is very important. The place from where the image is captured enables the viewer to see all the boundaries of the internal structure. Camera height: Usually the camera is placed at eye level to get a more natural feeling of the view.

Verticals & horizontals: Make sure the vertical lines in the picture look exactly vertical and horizontal lines in the picture look exactly horizontal. The reason being that the human eye never sees tilted verticals or horizontals.

Depth: Use appropriate foreground elements to create the sense of depth. Foreground elements should be very much in focus. Props: Adding appropriate props can make the picture look more interesting. For example, a flowerpot on the table, as it will reduce emptiness and will also add some wonderful colours to the picture.

Visual overlaps: Try to avoid visual overlaps in the picture. Less visual overlaps = a neat and clean picture. You can move the furniture/props (with permission) to avoid visual overlaps.” More Help

I’ve never been a huge fan of rules—especially when it comes to creative outlets like photography, writing, or decorating. Who is anybody to tell you what looks good? Who is anybody to tell you how to decorate your home? If you really love that picture of your cat wearing a Snuggie, who is anybody to tell you that it’s a bad photo? As far as I’m concerned, you gotta do you—critics be gone! Still, this doesn’t stop people from asking me on a semi-regular basis how they can take good photos. Although I am a firm believer that there is no such thing as a “good” photo (people will have an opinion one way or the other), I do have a handful of go-to tips and tricks that I turn to, especially when in doubt. These aren’t rules per se—more guidelines that you can follow when taking photos of your home—a framework within in which you can move around, experiment, and have fun. The great thing about these “rules” is that they are applicable to almost any situation and level of photography. Most cameras today (whether they are top-of-the-line or bottom-shelf) come with manual settings and options for advanced shooting. To follow along with these rules, you only need three things: a camera (make sure you have read its manual), a tripod, and a standard photo editing software (Photoshop is hands-down the ideal, Aperture and Lightroom are also good, iPhoto not so much). Whether your photos are “good” or “bad” is simply up to you, but these five tips will have you pointed in the right direction! Happy shooting! —Max

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Make sure you don’t end up cutting out half of the frame, however.

Look for a good vantage point up a staircase, or bring along a step ladder to help you reach those dizzy heights.

Use a tripod with a spirit level to ensure the lines of the features – bookcases, doors, windows, tables, etc. – are all parallel within the frame.

Rather than creating a dynamic composition through overly-dramatic camera angles, this technique allows for a much more harmonious end result—it uses your walls as a blank canvas of sorts with dynamism created through the composition of objects (like brush strokes) within the photograph. This technique also allows you to have more options if and when you decide to crop your photo.

4. Equip yourself for success Interior image from ‘Dark’ by Olafs Barons

The human eye is a wonderful thing, capable of adjusting to just about any light temperature—whether it’s the warm yellow of incandescent bulbs or the dull green of fluorescent ones. A camera, however, is downright stupid compared to the human eye. Whereas the eye will take in the glow of an incandescent bulb and interpret it as white light, a camera will just see it as plain ol’ ugly. This is why, when it comes to interior photography, it is best to use only natural light. This is the golden rule when it comes to interior photography (or most other photography, for that matter). If you’re going to follow only one piece of advice from this entire write-up, make sure that it’s this one.

This can be done manually or with a program called LR/Enfuse.

With the rise in interior design websites and blogs, the need for excellent interior photography is at an all time high.

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When photographing interiors, a wide angle is a good starting point.

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If you want a crisp, clear and professional looking photograph of your interior, make sure you use a tripod.

A blurred image will not only make the photographer look like an amateur but the interior designer will suffer from your mistake as well.

For example, if you’re shooting for an interior designer’s portfolio, you will have to discuss what it is that the designer wants to show – is it the elements that were used to decorate? The lighting that creates specific atmosphere?

How will those shots be used? Do you need to leave some space for graphic designers to put copy? How much creative freedom will you have?

Experiment with different angles, apertures and lighting to see what you can come up with.

Alternatively, if you’re shooting a grand space you might want a smaller aperture (bigger f-stop) to make sure the entirety of the scene is in sharp focus.

Ensure that all the vertical lines in your interior image are going straight up and down and not converging at the top and bottom.

Interior photography is seeing a resurgence in creativity that comes with its growing popularity.

When photographing an interior, you want to make sure that all of your other lights are off. I repeat—turn ALL of your lights OFF. You might be a little bit perplexed by this rule—after all, light is a necessary part of photography. What if the light coming through your window isn’t strong enough? This is what your tripod and your camera’s shutter speed settings are for. Pop your camera onto your tripod to avoid motion blur and slowwwww down the shutter speed to allow for a long exposure. This will allow your camera to pick up whatever light there is in the room and you won’t have to resort to artificial light or, god forbid, your flash.

You’ve been dreaming of that custom backsplash forever. Now’s the time.

If you’re in search of further instruction, we might have just the thing:

If the lens is tilted slightly up or down the lines will be going diagonally, providing an unwanted distraction to the viewer and detracting from the impact of the interior.

Add features to a room to create a certain atmosphere, if you think the scene on its own is dull.

1. Go and stand in the corner… Interior photographer Vaibhav Kapadi maximised the space in this image of the Maxus Multiplex in Mumbai by shooting from the corner

If you’re shooting close-ups or vignettes within your space, it is important to know how (and when) to use your aperture. Essentially the tool that controls the size of the hole light is allowed to come through, aperture is also responsible for controlling your camera’s depth of field. If you’re shooting a close-up of a vase, for example, and you want your background to be blurred out, the focus tool is just one half of what you will need to achieve that effect. The smaller your aperture number (or the wider the aperture hole), the shallower your depth of field. The larger your aperture number (or the tighter the aperture hole), the more in focus and sharp everything will be. To get a blurred background on your vase photo, then, you will want to shoot with a wider aperture, or the smallest f-stop your camera will allow. Conversely, if you’re shooting a wider space or an entire room, you want to make sure that your f-stop is cranked all the way up so that everything is in sharp focus.

Walk around the space and get a feel for it before implementing the interior photography tips in this article.

So—to summarize, it is usually best to have your camera pointed straight forward towards a flat surface. There are, of course, exceptions to this rule, but if you are unsure, it’s always better to err on the side of simplicity. As with most things in life, less is often more. Here are some very professional, highly scientific drawings to further illustrate my point:

Use these interior photography tips as a basis for your images, but feel free to judge the scene before you with your artistic eye.

Most cameras today come with the ability to shoot RAW. Unlike JPEGs, which are a “lossy” file compression (meaning that they trash a lot of the photo information in order to save space), RAW files are essentially untouched photographic data. If one were to draw a parallel between digital photography and film photography, a RAW file would be akin to an unprocessed negative—it is essentially a record of light hitting the camera’s sensor and has not yet been turned into pixels.

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If our bedrooms looked like these, we’d sleep so much sounder.

Well, who better to instruct them than the professionals themselves, right?

“The following are a few of my tips for interior photography:

Some interior design photographers press their camera against the wall to get as wide an angle as possible.

As another example, when shooting a restaurant, you usually aim to capture the atmosphere and include details and people in the shots.

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Depth of field is an important tool in the interior photographer’s arsenal.

This also goes for things that might be getting in the way within your photo. If there are any unsightly cords, objects, or pieces of furniture that are killing your photographic buzz, get rid of ’em! And don’t worry about your documentarian integrity—editing out objects is one of photography’s dirty little secrets (even Civil War photographers moved cannon balls and dead bodies in their photos to create more dramatic compositions, I kid you not).

“In my opinion, the most important thing is vertical correction. Every view of an interior should be 90 degrees to the wall.

The interior will appear to be falling away or tipping towards the viewer.

When it comes to composing interior photos, I have found that, when it doubt, it is always best to shoot straight on. Using your room’s architectural framework as a guide, point your camera so that it aligns perfectly with one of your walls. If your camera has a grid or compositional guides in the viewfinder (even iPhones have this feature built in), this is a perfect moment to use that tool. You want to make it so that the wall’s horizontal and vertical lines (along with the horizontal and vertical elements of items along that wall) are aligned, almost as if on a grid, within your viewfinder. Here are some photos that I took of my apartment [which you can read about at length, in case you’re interested, on my fiancé’s blog] to illustrate this idea:

“I’ve never studied photography, I’m just an architect and mostly use my sense of composition, trying to keep it as clear and readable as possible; mostly using lowered camera settings to reduce the perspective.

I also pay close attention to the depth of composition to make some foreground and background.”

Of course, this is in addition to the basic kit you should always pack when out on a shoot.

One of the biggest obstacles you might encounter when photographing an interior space is lack of space. When shooting indoors, especially within tiny apartments or smaller rooms like kitchens and bathrooms, you might find yourself backed into a wall (literally) when attempting to get the perfect shot. Oftentimes, people’s first instinct is to go out an buy a wide-angle lens to fix this issue, but this option often results in distorted, “fisheyed” images. I’ve found that the best way to get the shot you want is to not change your lens, but change your environment.

Depending on the space, you may even want to take a macro lens to capture fine details, for example in a five star hotel or a quirky retreat.

You can decorate it, but you’re definitely not allowed inside of it.

All professional interior photographers know that nobody has a hand that’s as steady as a sturdy tripod.

Try all of the corners of every space to see what the perspective from each of them is like.

Squashing yourself as tightly into the corner as you can go will give you the widest perspective of the interior before you, allowing you to capture more of what makes it special.

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