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Interior Designer Homes.

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Wardrobes from Oka sit either side of a fireplace filled with logs, while a bold chevron rug adds colour to the space.

Living with littles? Fun ideas for kids’ bedrooms that don’t scrimp on style

John says they wanted to ‘set the tone for the rest of the house, put a little sparkle in your eye and a smile on your face – a sense of whimsy’. There is the traditional grandfather clock, a couple of wall sconces and an inviting floral arrangement on a central table, but each is eccentric in its colour and detail. And the space is a triumph of decorative paint effects, from the faux brickwork on the walls to the trompe l’œil striped tented ceiling. The wood floors are decorated with geometric pattern while the muralled wall along the stairs was inspired by one in the Rex Whistler Restaurant at Tate Britain.

Kelly Hoppen Interiors: 020-7471 3350; kellyhoppeninteriors.com | kellyhoppen.com

Having decided to downsize from her previous London home, a smaller flat meant decluttering. ‘That is a discipline but it is also a joy,’ says Ann.

Else­where in the room, ‘Napoli’ sofas by Paolo Moschino for Nicholas Haslam are teamed with cushions in ‘Rayure Broderie’ and ‘Hamot Rouge’ by Madeleine Castaing for Edmond Petit.

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This dining room with its wonderful Victorian windows is simply furnished with an oak table and benches from Chest of Drawers in Islington. Attention focuses on the mise-en-scène above the chimney breast. Intaglio boxes are flanked by a covetable pair of sconces set with lime-green candles (find them at Bridie’s shop Pentreath & Hall), above a pair of obelisks on the mantlepiece.

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At Ben Pentreath’s Georgian country house plenty of seating is arranged around an ottoman in the sitting room, including a sofa from Max Rollitt, an original Howard & Sons armchair bought at a local auction, and a Regency cane bergère chair. The black linen-covered fireside chair is the ‘Chauffeuse’ from Pentreath & Hall. The door leads out to the hall.

“The splurge everyone should make is a fabulous master bathroom. I used hand-painted porcelain sinks in mine.”—Todd Richesin

“I strive to create serene, peaceful and multilayered bedrooms,” says Sara Story, adding that she wants her spaces to “inspire and unfold and have a timeless aesthetic,” says Sara Story. This bedroom in her Austin home, SK Ranch, features an Eileen Gray Transat chair topped with a fur throw. Artwork by Kati Heck hangs above the fireplace. Photo by Robert Relic

“In an open seating plan, always use a well-proportioned statement coffee table to ground the arrangement and give it a sense of place.”—Sean Michael

“I wanted this space to feel like a spa retreat — where texture plays a leading role over color,” Adam Hunter says of his home in the Hollywood Hills. “Of course, in California it is all about indoor/outdoor living. The expansive view of a lush green rolling hill landscape against the blue sky is really the star here!”

Returning to London from New York in 2012, having spent six years there honing her signature crisp-yet-cosy decorating style, Rita originally intended to create the perfect home for herself as single girl about town. On buying the flat, she set her mind to remodelling its interior to house a small kitchen and large entertaining space. ‘The whole thing seemed to take forever,’ she says, curling her feet under herself on a vintage sofa covered in crimson velvet. ‘But just after I moved in, I met Phil [the biographer Philip Eade], and then I was married and pregnant. I just couldn’t face moving again, so the first call I made was to the woman next door to ask if we could buy her flat.’

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A new opening was created between the main bedroom and the bathroom to allow the space to flow – a feeling enhanced by the cleverly contrasting colour scheme.

Robert designed the bedhead in the main bedroom. The fabric, ‘Palma Large’ from Bernard Thorp (£75 per metre) is also used on a chair in the bedroom and for the curtains both here and in the bathroom.

‘Try to make wardrobe space both decorative and unobtrusive,’ says Emily Todhunter of Todhunter Earle, who in her own London flat, has covered the wardrobe doors with ‘Chain Link’ wallpaper from Schumacher.

Jamie Drake — one of the two principals of DRAKE/ANDERSON — designed his colorful West Chelsea loft with a focus on entertaining. The 1960s Hand chair is by Pedro Friedeberg and the resin-cast floor lamp is by Alpha Workshops.

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“Wicker is an element I love for its texture and versatility. Wicker baskets are so functional for storage, but a wicker animal brings a sense of whimsy.” —Amy Berry

In the main bedroom and bathroom at Ben Pentreath’s Georgian country house; the printed-cotton cover on the bed is Indian.

You may also like: Living room colours | Country living rooms | Beautiful Wallpaper Ideas | Curtain Ideas | Living room lighting

‘A motley crew of my favourite people adorns my mantelpiece, mixed with four small crystal vases holding one budding flower each,’ explains Nicky. ‘The cupcakes are actually egg timers. When lit, the candles in nineteenth-century French candlesticks illuminate the painting behind of the flying figure of St Joseph.’

‘Flowers play an essential role in enlivening my sitting room, ‘ says Nicky. ‘I love massed, untidy bouquets of things in season, and try to keep the room’s colour scheme in mind. I also dot single blooms around at random where needed. Almost anything can look good when it is framed well. I frame anything that appeals – postcards, let­ters, maps; everything but photographs. If I buy a small original of a picture, I’ll frame a reproduction as well to make a pair if necessary. Behind the bust of Marie Antoinette is a group of sepia engravings of Old Master drawings. The whole lot cost about a fiver; but I framed them up “grand” in rubbed gilt.’

The pink and green bathroom is pure romance. Furniture from Nicky Haslam’s range for Oka is combined with a wall of mirror behind the bath, which opens up the tiny room and bounces around the light.

The kitchen features storage ideas galore – including this clever corner which mixes and matches shelving to brilliant, space-saving effect.

A few steps up from the kitchen leads to the dining area, where the walls are painted in ‘Greville Pink’ by Adam Bray. Contrasting with this are the yellow leather-upholstered chairs from Philippe Hurel and a drawing by Bill Mauldin from Honor Fraser Gallery in LA.

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The living room in Kelly Wearstler’s Malibu beach house features Afra and Tobia Scarpa‘s Soriana sofa and a pair of matching lounge chairs. Photo by Nick Hudson

‘We got a builder to form the archway, then fitted it with 20mm-thick reinforced glass, which is sunk in to the floor to give the impression that the glass is unsupported. The circular frame in the lunette above the door is fitted with back-to-back convex mirrors, which reflect the room from an altered perspective and offer an instant point of focus.

Our indispensable directory of design professionals for your house and garden

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From tiny kitchen tables to big dining rooms, inspiration for eating in style

I like to keep the decoration of hallways spare and unfussy. As with many Georgian houses, there is a door that leads off to the side of the hallway. I placed a large French Thirties mirror opposite it, which is of similar dimensions to the opening itself. This placing reflects the light, making the hall seem to have its own natural light source.

Exposed stonework and brushed plaster give the dining room and kitchen an irregular finish that suits the feel of the house. The plaster finish was mixed locally in Anduze, but for a similar effect try using limewash in clay by Francesca’s Paints.

The nineteenth-century Dutch secretaire in the living room is offset by a Sixties-style Perspex coffee table made by Nigel Carew Jones. ‘I wanted something that was big enough to span the seating area, but which wouldn’t fight with the other furniture or block the Luke Irwin rug, so this was perfect. It’s the most extravagant thing I’ve ever bought.’

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You may also like: Shower and wet room ideas | Bathroom Wallpaper| Small bathrooms | 20 modern bathroom ideas | Bathroom sinks and vanities | Country bathroom Ideas

‘Cushions, tablecloths, curtains and tie-backs that look deliberately ‘wrong’ or oversize give an instant jolt of character. There is no fussiness in this room. Just simply cut vertical and horizon­tal planes of pattern and colour, leading the eye onwards, with short punctuation marks of surprise or wit.’

“This space is an embodiment of my traveled and textural aesthetic,” Michael Del Piero says of her Chicago home office. “I designed this room in my mind while on a buying trip in the Netherlands. I was inspired by the courtyards and scenes I saw in residential windows there.”

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In her flat – her home for the past 25 years – designer Jane Taylor has employed a number of clever space-saving devices, to turn a potentially awkward space into a smart, comfortable interior. Her home, which she shares with her husband Simon and their teenage son Henry, is a typical Edwardian mansion block in Chelsea. Although they are purpose-designed, they’re often an awkward shape and far deeper than they are wide. Her entrance door opens into a long, high and potentially rather gloomy corridor, which Jane has enlivened it with pictures.

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“In the master suite, decor can deviate from the common areas and really reflect your personality.”—Ali Vanderpool and Ariana Villalta

“We subtracted all the color so you would notice the fantastic textures,” says Nate Berkus about his Fifth Avenue Manhattan penthouse. The home is a showcase for Berkus’s and his partner Jeremiah Brent’s incredible collection of vintage furnishings. These include the pictured 1970s Maison Jansen brass and smoked glass coffee table, a George Pelletier ceramic pendant light, a 1970s chrome Soriana sofa by Tobia and Afra Scarpa, a circa 1950 Jacques Adnet leather vide-poche and a 19th-century French gilt mirror.

In the bar area, a Seventies Steve Chase table is surrounded by three-legged art-deco chairs, in stylistic contrast to an ornate French Boulle clock bought at Bonhams.

One of the smaller rooms in the house is the en suite bathroom, a one-off light by Niamh Barry hangs above the bath, which is the ‘Harmony’, a design from Kelly’s collaboration with Apaiser.

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‘An informal sitting room should be a place where guests feel like they can put their feet on the furniture, with everything at hand,’ says Nicky. ‘Next to sofas should be a place to rest things at arm’s length. This may seem like a silly detail, but it is an important one in practice.’ A low Victorian bench, upholstered in petit point, takes the place of a coffee table.

“Great art and fabulous antiques only get better with age. It’s better to cry once and have a forever piece.”—Chandos Dodson Epley

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“Pattern and colors play a huge part in my home,” says Peter Mikic, who lives in a former London hotel that was converted into a house. “I find greens calm and inviting. The dining room has sage-green grasscloth wallpaper for texture and the jade-green wool rug for warmth and softness. The brass drop pendant is a bespoke piece made with crystal glass. I was inspired by Hans-Agne Jakobsson ceiling lamp model T348/15. The bespoke dining table has solid bronze legs made by a local foundry and the curved dining chairs are a bespoke design. The shape gives a very comfortable ‘hug.’ The 1890 Venetian mirror is from a palace in Vienna and its pair is still there in a ballroom. We found this in a storeroom in Murano.” Photo by Kate Martin

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“Old and new belong together. A mix of modern pieces and antiques never tires.”—Caleb Anderson

Suzanne Kasler’s dazzling Atlanta dining room is clad in floral De Gournay wallpaper and ringed with antique mirror at the cornice line. Of the dining table and chairs, Kasler says that she does not “have any qualms about mixing dark wood with light wood — oftentimes it is far more interesting than having a matched set.

In Ben Pentreath’s Georgian country house, the hall has original blue lias stone flags and a lunette window bringing light from the sitting room.

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On the mantle piece is ‘The Scholar Set’ – also by Bridie – a group of shapes based on the Platonic solids. All can be found at Pentreath & Hall, the Bloomsbury shop owned by Bridie and Ben Pentreath.

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What she is serious about, however, is business. This year, she is launching a new high-end furniture range and through QVC, where she already sells home furnishings, she is about to launch a jewellery collection. A retrospective book is planned for publication in September. Although she left the panel of the BBC television programme Dragon’s Den last year, she is still involved in several of the businesses in which she invested.

The house is full of Hugh’s collection of mid-twentieth century classic furniture, including the carved table designed by Sir Edwin Lutyens in 1931. Two paintings by Alvaro Guevara are grouped asymmetrically above it, while the armchair was designed by Hans Wegner.

Cornicing and antique wooden floors have been painstakingly restored in the home of Will and Charlotte Fisher, the couple behind antique and reproduction specialists Jamb, in London’s Pimlico.

“Buy one good piece of furniture every year, and in five years, you’ll have five pieces. Everything else may change, but these will remain constant.”—Jeffrey Bilhuber

The portrait of Gytha’s grandmother, hangs above a sofa covered in ‘Amalfi’ from Jasper Fabrics. On the opposite wall traditional potraits arranged around a a Louis XIV commode contrast with the lofty feel of the space. In the adjacent kitchen, rise-and-fall pendant lights on long flex from Holloways of Ludlow emphasise the double-height ceiling. A ‘suspended’ floor above contains bedrooms and a study.

Where does the light in the room come from, and how can you maximise it? These are the first things you should think of when decorating a small room says interior designer Ann Boyd, whose tiny London pied-à-terre is packed with useful ideas.

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Even designers get their interiors inspiration from romcoms. The design of this headboard was inspired by one seen in the film The Holiday.

What is immediately impressive at Kelly’s house is the volume of the space. Five Carrara marble steps lead down from a spacious entrance hall to a living area of gymnasium-like proportions. It took six months to dig down the one-and-a-half metres to create the six-metre-high space that Kelly wanted. ‘If it wasn’t for Matt the foreman, from London Projects, I might still be in the hotel today,’ Kelly says.

‘I wanted something that was eclectic and full of colour and I loved this style,’ enthuses Hugh of the coloured breakfast bar.

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The floor is French limestone slabs, laid on the diagonal to diminish the definition of where they start and stop, which makes the flow of the flooring through to the next room more attractive. The table is a nineteenth-century guéridon, a great style for a hallway.’

When Douglas and his partner Julian Jackson bought this house in the Languedoc region of the South of France, it was a chance for him – a knowledgeable collector of textiles – to show off his stock of older pieces.

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“This is our main living space in the house, where we hang with our with family, friends and pups,” Brooke Giannetti of Giannetti Home says of Patina Farm, their Ojai, California, residence. “Because our home has an open floor plan, we decided to put the television behind the custom Gracie wallpaper panels. It’s a much prettier focal point in the space.” The living room includes an Alix sofa and Mason ottoman, both by Giannetti Home and an antique Swedish settee. Photo by Lisa Romerein

The peach coloured marble topped table was found at one of their favourite shops, Ebury Trading and was something of an investment piece. They have balanced it with six Marcel Breuer style chairs, which were a steal from eBay. ‘It’s good to mix things up; it’s worth spending money on important items that you’ve fallen in love with, but not everything has to cost lots of money,’ says Luke.

Spring Cleaning by Kati Heck hangs behind a directoire-style daybed in the living room of Brian J. McCarthy’s country house in the Hudson Valley region of New York. Photo by Francesco Lagnese

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“Don’t settle. If you have your heart set on a piece, don’t try to find something similar just to save money. Chances are, you’ll never be completely satisfied with the substitute (or its quality).”—Brian Watford

Emma Burns inherited the former stables that her parents had progressively converted as a weekend retreat, she put into practice the principles that now guide her professional work as a designer at Sibyl Colefax & John Fowler. Much of the work that Emma has been in decoration but she also raised the height of the doors from the entrance hall into both the kitchen and the drawing room to create a light and airy entrance. The lantern in the entrance hall is a discontinued design from Colefax and Fowler.

Like this? Then you’ll loveThe most beautiful ways to display books

“Instead of playing it safe, I decided to go with the statement-making pink rug,” Kristen Zeff says of the living room in the East Hampton, New York, home she shares with her husband, architect Mark Zeff. “Then, I juxtaposed the pink rug with the blue sofa. Since we spend most of our time in the warmer months outdoors, the colors in this room make it the perfect cozy winter hideaway.” The overdyed rug is from ABC Carpet & Home, and the space also includes a pair of Eero Saarinen Womb chairs and a bar cart from Christopher Anthony Ltd. Photo by Gianni Franchelluci

Michael Haverland’s East Hampton study is a simple-yet-elegant glass box that the architect designed to showcase pieces from his blue-chip furniture collection, including a 1953 Jean Prouvé Compass desk and Standard chair; a 1946 Eero Saarinen for Knoll Womb chair; and a 1950s Jacques Adnet leather desk.

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You may also like: Ashley Hicks’ dos and don’ts of decorating | The Hicks’ guide to decorating with geometric pattern | How to decorate a rented flat

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Kit designed the coffee table herself and covered the two chairs in fabric by Raoul Textiles. On a budget? eBay is a great source for bright, vintage-inspired prints.

“I absolutely love the color blue and decided to use this shade in my own home, because I find it to be very soothing,” says Sheila Bridges of her 1901 Harlem brownstone. Bridges also notes that she “did not do a one-stop-shop to furnish my home, but instead acquired interesting and eclectic pieces over time.” These include a small marquetry table, an alabaster Swedish chandelier and an antique French convex mirror.

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Taken from the May 2012 issue of House & Garden. Additional text: Lisa Freedman.

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At Luke Edward Hall’s flat A mustard velvet sofa from Sofa.com, decorated with cushions from Svenskt Tenn and from Luke’s range, sits opposite Duncan’s study nook.

“Get creative when thinking about form and function. A client in a traditional Georgian home needed it to work for her modern way of entertaining. We opted for an asymmetrical, organic space that encourages guests to float through the room while engaged in conversation.” —Kate Coughlin

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Visitors to Rita’s flat must enter from the street through a door into an unexpected and exquisite garden (she describes her bed of box balls as one of her ‘best investments’). ‘It was when I realised that I could give this flat its own entrance through the garden that the property started to get exciting,’ she says. When living in New York, all her apartments opened straight into the kitchen and she wanted to continue the look in London. ‘This seemed to work very well coming off the garden, just like houses in the country where there is almost always a door to the garden from the kitchen. And it is very jolly for when people come over for dinner, and when arriving with shopping bags.’

Lubos designed the kitchen at Wendy Nicholls’ flat, which has a more modern, clean-lined feel than the rest of the house.

One top floor flat. One family of 5. Designers have turned this place into a Tardis

“Look up! We use ceilings a lot. Through them, we define the lines and beauty of a space.”—Julio Salcedo

Bunny Turner of design duo Turner Pocock is a designer who knows the power of opposites. Combinations of light and dark are what makes this north-facing room come to life. Primarily used as an evening and winter space, the mood is cosseting indulgence when the lights are low; but during the day, thanks to the white ceiling and curtains, the room feels airy, with its features defined. ‘Since we had a baby, we live in here,’ says Bunny. ‘It’s super comfy and inviting.’

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A polished-nickel bed designed by Michael for Jasper, is flanked by a mirror and a lamp by John Dickinson. You can find similar pieces on 1stdibs.

The banquette seating at Nicole Salveson’s home has a map print in the background.

Shunning our throwaway culture, interior designer Patrick Williams of Berdoulat Design used salvaged finds and traditional techniques to imaginatively restore his Victorian flat in east London. The plaster walls in the kitchen are sealed with beeswax to make them water resistant. A lover of good design, Patrick even decants his washing-up liquid into an old-fashioned Fairy bottle.

“I love the scale, vastness and wonderful bright light in this space,” designer Jenny Dina Kirschner of JDK Interiors says of her Brooklyn home. “The giant eight-foot-by-fourteen-foot, mid-century-modern chandelier that hangs between the living room and the dining room areas was brought over from a church in Amsterdam, and I got it from Venfield. It’s now the anchor of the entire space, and I love lying on the rug below it, looking up at the 48 lights dangling above.” Photo by Ryan Dausch

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“When you have light-filled rooms, subtle textures and color shifts are illuminated. The walls and moldings, as well as the larger pieces, are all painted a matte, soft pale grey to act as a neutral backdrop for the pops of color that come from smaller gestures like the blue lining of the draperies, the accessories and the art,” Barbara Barry says of her Beverly Hills living room. The seating pieces, cocktail table, pillow fabrics, carpet and floor lamp were all designed by Barry.

Known for their irreverent take on English country-house style, the American duo behind Madcap Cottage have created a home filled with outlandish pattern and colour. Owners Jason and John wanted the entrance hall to convey a sense of whimsy – in part achieved with a liberal use of specialist paint finishes.

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‘It’s a touch of Duchess of Windsor,’ comments designer Douglas Mackie of the Maison Jansen Louis XV-style writing table in the right hand corner of his Marylebone living room – the French firm of decorators numbered Wallis Simpson among its prestigious clients in the middle decades of the twentieth century, and were known for creating reproduction pieces like this, that are now highly sought after in their own right.

Some people have a natural eye for design, but if you’re more in the camp of those who can’t do anything without consulting Pinterest board upon Pinterest board before making any major changes, we feel you. We’d love to have an interior designer on speed dial before deciding exactly where and how hang to hang that sweet new wall art we bought on a whim, but until we win the lottery, we’ll have to settle for trusting our guts, and taking plenty of design tips where we can get them. We’ve compiled some secrets straight from the pros to help you with all your decorating needs.

Vance Burke’s Palm Springs home is a paean to mid-century style — but with a modern twist. In the living room, brightly colored upholstery and bold shapes emphasis the scale of the home and complement the desert landscape, as seen through the large panes of glass.

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In the main bathroom the walls are painted in a deep blue, ‘Basalt’ by Little Greene. The applied mouldings form a framework for the French empire wall sconces and a Fifties French mirror.

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Max and Jane were both brought up in Winchester but did not meet until they returned as adults and were introduced through mutual friends in a pub. ‘Max announced he was going trekking in Nepal,’ says Jane, ‘I had a gap in my schedule at exactly the same time in December, so on the spur of the moment I said I would go with him. We saw each other twice between that first meeting in May and the airport. While we were away, I decided I wanted to marry him.’

At Ben Pentreath’s Georgian country house the kitchen’s Aga was installed in the Sixties; Ben added the wooden floor, painted in Farrow & Ball’s ‘Hardwick White’, and found the glazed wall cupboard in a junk shop.

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In Nicole Salveson’s London home, the living area at the end of the room has a Roger Oates ‘Jaspe’ rug.[/i]

The sitting room has original parquet floors, and a coffee table which doubles as a display case for curios.

‘Spend as much as possible on the joinery – the things that you touch and use all the time,’ says Hugh. Nowhere is this mantra more in evidence than the kitchen, where he has used a mix of colour so balanced and friendly, the space instantly effuses a feeling of calm. A luxurious touch is added by Carrara marble worktops and splashback. If you want something with the look of marble, but more durable and cost-effective, the compressed quartz composite from Compact, is much more hard-wearing but lightly veined to look like Carrara.

‘Green Smoke’ by Farrow & Ball, has been used on the kitchen cupboards.

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“Follow your gut. If you have to talk yourself into liking something, you probably don’t.”—Olivia Erwin

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In the bathroom Ann has installed a short-projection loo and wall-hung basin – both from Bathstore – in combination with a backdrop of mirror-glass panelling to ‘cheat’ the room’s compact proportions.

In the small galley kitchen, handle-free units from Ikea have been teamed with a Corian worktop. Mirror glass has been used for the splashback to create the illusion of space, while the pewter chargers are from I & JL Brown.

Within seconds of viewing this flat, Ann recalls detailing a soothing colour scheme and square panelling – out loud – to her startled estate agent. When the flat was completed, she invited the agent round for a drink. ‘She couldn’t believe I had exactly replicated my plans.’

In the space, an 18th-century Swedish secretary is topped with antique leather books and a Buddha. A 19th-century Argentine oil painting leans against the wall. Photo by Janet Mesic Mackie

In Douglas Mackie’s study, a Thirties portrait by Spanish-Cuban artist José Segura Ezquerro and a lampshade made from antique sari material, are displayed against striking ox-blood walls.

In the kitchen, John opted for the RAL colour-matching system, asking his cabinetmaker to make up a dark blue for the cupboards. While RAL does not itself manufacture any paints, its colour notation system specifies and standardises colours for use by manufacturing companies.

“This room was designed to function as a kitchen/family room combo, and since kitchens are generally de-facto gathering spaces, it makes sense to integrate comfortable seating whenever possible,” Kelly Behun says of this space in her Long Island beach house. “I enjoy being able to cook and see my family and friends sprawled out all around, whether dining, chatting, lounging or napping, there’s something for everyone!” The room features a Boa sofa by Humberto and Fernando Campana, a vintage Samarkand rug from Doris Leslie Blau and custom macrame plant hangers by Kelly Behun Studio. Photo by William Waldron

A London flat by Adam Bray full of rich colour and texture »

Taken from the November 2013 issue of House & Garden. Additional text: Alice B-B.

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‘A dirt-colour hair-cord carpet covers the floor, over which I have layered a white flokati rug from Greece. They are cheap as chips, and you can bin them when they’re past it. The sofas are slip-covered in ‘Jaisalmer’ by John Stefanidis, a hard-wearing off­-white cotton. The covers are the same ones I had when I first moved in 40 years ago and they still don’t need to be replaced.’

At Ashley Hicks’ bright London flat the view from one window was so ugly that he covered it with an image of a Bernini chapel in Rome. Other quirky features in Ashley’s rented flat include an 1862 map of London, with the screen disguising an ugly bit of fenestration. Ashley’s sofa is upholstered in custom-printed linen and the side table has an onyx top.

‘There is nothing less cosy than a room that feels too formal,’ says designer Kit Kemp, whose signature flair for mixing playful colour pattern is much in evidence in her London sitting room. ‘Never take things at face value; mix old furniture with new fabrics. Be as bold as you dare. An abundance of empty wall space can feel cold. I have combated this by layering some strips of old wooden panelling – which I liked for its aged patina – underneath framed artworks, including one by the artist Kathleen Hale.’

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“Art, art, art! Start young and buy the best you can afford. Its ability to transform a room is unlike any other design tool.”—Jean Liu

In the tiny bathroom of Ben Pentreath’s London flat, a collection of monochrome prints chime with the overscaled grisaille foliage wallpaper, ‘Richmond Park’ from Zoffany.

See the best design ideas for the ‘smallest room in the house’ »

At the London mansion flat of Colefax & Fowler’s Wendy Nicholls, an enlarged and recoloured fragment of Persian-inspired fabric by David Hicks was used to create the wallpaper in her bathroom.

“Never underestimate the power of paint. You don’t have to break the bank to achieve a new look. A fresh coat in a vibrant color takes an old piece of furniture or empty white room and gives it new life.”—Chauncey Boothby

Nicole Salveson of Salveson Graham’s bedroom at her home in London is furnished with a Vanderhurd wool dhurrie and a ‘Duchess Paisley’ bed throw from de Le Cuona; the desk is Julian Chichester ‘Felix’ design.[/i]

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The rich, witty and wonderfully eclectic interiors of designer Nicky Haslam’s sixteenth-century, gothic-revival hunting lodge have long been coveted by all of us here at House & Garden. The sitting room is small but perfectly formed.

In Robert Couturier’s New York apartment, a photograph by Ron Agam hangs above a sofa — at right — that Couturier designed himself. The oak and porcelain table, at left, is by Jacques Adnet and Maurice Savin, and the low 1930s cocktail table is by Frances Elkins. “I can try things in this space because I don’t live here permanently. “An apartment is a little bit like a suit,” says Couturier. “When you’re tired of it, you can easily change it to reflect your current taste.”

One of Diana’s trademarks is to forgo curtains in favour of shutters. ‘I had them made,’ she explains, ‘which I prefer because they are minimal and less light-excluding.’ The walls are covered in ‘Adam’s Eden’ by Lewis & Wood.

In this bedroom, the raised bed lifts up to reveal extra storage underneath.

In Douglas’s house in the Laguedoc he wanted a departure from his London home. Pink silk embroideries from the Swat Valley were the starting point for this living room. The colour is picked up in the lampshades and offset by the custom-made sofa, covered in an indigo Manuel Canovas fabric.

Pierre Yovanovitch’s Paris apartment is reflective of the designer’s signature “warm minimalist” style. The high-ceilinged space features armchairs and sofas of Yovanovitch’s own design, plus artworks by Alex Katz and Georg Baselitz. “Art is very important to me: it gives life to an interior. Artworks dialogue with both architecture and interior design,” he says.

Ann has forged a reputation for creating crisp, elegant, predominantly pale interiors. ‘It’s not in my nature to live with strident colours; I like serenity,’ she says. Most of the furniture, has been recycled from her old flat; putting favourite things into a new environment creates a fresh mood straight away. There is no point in change for the sake of it,’ says Ann. ‘Moving is expensive.’ Sophie March, of The Order Restorers, was enlisted to help her with decluttering.

A mirror-lined dressing table fits into the window reveal in the main bedroom.

In their flat Duncan and Luke use this charming mahogany cabinet to store sheets and towels in. ‘It’s from my mother’s house and although I’ve passed things back over the years, I’ve kept hold of this piece,’ says Duncan. Hyacinths, tulips, candlesticks and magazines sit on top of the cabinet, transforming a potentially dull corner of a bathroom into a spectacle. ‘We’d like to put some ferns, in the bathroom. Plants add so much life to an interior,’ explains Luke.

“My clients ask about the most important pieces to invest in: I believe in upholstery and art! They help anchor a room.”—Ashley Darryl

A pair of Forties chairs flank an eighteenth-century lowboy in the hallway of designer Diana Sieff. A seventeenth-century hunting picture – a junk-shop find – hangs above it.

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Jamie Drake’s apartment in New York’s Chelsea gallery district is “the realization of his personal vision,” according to his firm, Drake/Anderson. A structural column in the middle of the space was a design challenge, and he dealt with it by encasing it in custom millwork and creating floor-to-ceiling bookshelves. The space includes a 1960s Hand chair by Pedro Friedeberg, a Drake-designed sectional sofa and photographs by Alexandra Penny. Photo by Marco Ricca

The main bedroom in the house has an internal window looking down onto the open-plan ground floor.

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Matthew Patrick Smyth says that he sought to respect the 18th-century architecture of his Litchfield County, Connecticut Colonial weekend house. Accordingly, the living room includes a Schumacher-upholstered 19th-century camel back settee and a pair of late-19th-century iron urns. The carpet is by Patterson, Flynn and Martin.

Like this? Then you’ll loveHow to create a cosy sitting room

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Not only does the cabinet create two rooms from one, it acts as a decorative focal point, a place to store DVDs and best of all, at the touch of a button a flat-screen television rises from the base.

At the Hudson, New York, home of MR Architecture + Decor’s David Mann, the dining room features a cast concrete table surrounded by a set of vintage Paul McCobb chairs. The space includes a 1940s brass chandelier and original wood flooring and Federal-style wall trim. The artwork above mantel is a photograph of Tupperware by Richard Caldicott. Photo by Simon Upton

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The sitting room of decorative artist and designer Bridie Hall’s house features many of her own pieces, including the cowhide and beech ‘Trav’ chair and her ‘Roman Emperor Intaglio Cases’, which hang on the wall. These work with the Ikat and Kelim cushions to add a burst of colour to the blue/grey scheme.

“In my living room a Kenneth Noland painting, circa 1960, one of the best-known American color-field painters, is shown in conversation with a Jean-Michel Frank chair and the Maison Jansen dining table from France, circa 1950,” Sandra Nunnerley says of her New York townhouse. “I created a classically proportioned living room with classical details such as custom-made crown moldings and baseboards. And then I did something a little subversive. I put in wide oak floorboards instead of the usual parquet. Somehow, it’s antique and contemporary at the same time, which means I could have this classical space that still feels loft-like. The tension in the space and furnishings makes the room more interesting.” Photo by Miguel Flores Vianna

At Ben Pentreath’s London flat both the bathroom and the two bedrooms are papered. As Ben explains, ‘I like using wallpaper because I love the layers of pattern and colour that it brings to a room.’ Soane’s delicate ‘Seaweed Lace’ wallpaper contrasts with the bold blanket from Pendleton in the main bedroom.

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Shawn Henderson’s upstate New York Colonial retreat was inspired by the look of Scandinavian summer homes. Fittingly, the designer used a pair of Papa Bear chairs and a floor lamp by Danish creator Hans Wegner.

[i]You may also like: A masterclass in Mixing Pattern by Madcap Cottage | Modern living rooms | Small living rooms | Living room colours | Beautiful Wallpaper Ideas | Curtain Ideas | Living room lighting

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“I love to use wallpaper in mundane spaces. Hallways, pantries, powder rooms—all become moments of joy and funkiness. Areas of transition can be places you enjoy spending time in.”—Fawn Galli

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Nicky Haslam has created a perfect reading nook in the living room of his country house; near a window for reading by natural light during the day and next to a side table with a lamp for the evening; the bookshelves are framed by a collection of pretty plates. The ‘Cloud’ armchair is from his collaboration with furniture brand Oka and costs £2,475.

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The Los Angeles loft of husband-and-wife design team Scott Jarrell and Kristan Cunningham, founders of Hammer and Spear, features a dining area that comprises an antique French wine tasting table with a set of T chairs by Katalavos for Laverne. The black pottery is by Conrad Buff. Photo by Maiko Naito

‘”Squid Ink” from Paint & Paper Library is a colour we come back to again and again. I highly recommend it,’ says Bunny of the paint she has used in the spare bedroom of her home. ‘In a north-facing room the moody blue/grey makes the space feel cosy.’

“Choosing the right light bulb is very important. LED bulbs are energy efficient, and they can look great.”—Paloma Contreras

Colourful notes in the main bedroom include a painting by Mary Fedden and an orange bedcover made by Bridie. The moody grey paint is ‘Mercury’ by Fired Earth.

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Like the rest of her house, Emma Burns’ comfortable drawing room is furnished with antique furniture, mirror and glass. Emma is one of the leading interior design directors at Sibyl Colefax & John Fowler and it has been a clear influence in her country house, The Dovecote. A chair, covered in ‘Spinone Weave’ – specially woven by Antico Setificio for Sibyl Colefax & John Fowler – continues the pink theme, which is subtly threaded through the corners of the room. The oak corner cupboard is eighteenth century and came from Cowbridge in Wales.

‘Good designers or brands, like Ralph Lauren or Donna Karan, their philosophies have never changed,’ she says. ‘Their influences and style can change, but these are different things. It’s like if you bake a cake to a familiar recipe: you can change the topping, which will change the texture, but the overall taste and the way it makes you feel will always be the same.’

The eaves of this converted barn have been turned in to a library/office mezzanine. The bespoke aubergine bookcase with its dark red backdrop sets a very stylish tone.

The blue-and-white scheme of the dining room is based around the eighteenth-century painted French screen that hangs on the wall. The hand-painted blue design is ‘deliberately not like wallpaper.’ Paolo worked closely with the artist Dawn Reader to create this effect. Dawn is contactable through Nicholas Haslam.

Paavo Tynell’s brass Snowflakes ceiling light hangs over the 1923 lacquered table and chairs by Christen Emanuel and Kjaer Monbergis in the dining room of Pierre Yovanovitch’s 17th-century château. A Stephan Balkenhol painting is mounted above the matching dresser, which is topped with a Tommi Prazinger candelabra. Photo © Jean-François Jaussaud LUXPRODUCTIONS

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“Actually use your beautiful things! I have a chocolate lab and white furniture in my living room. It took some training, but now he knows the furniture is off limits.”—Lindsey Lane

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Custom-made lights, created in collaboration with Robert Clift, help define the spaces in Kelly’s new open-plan house. Silk and blown glass lights hang in the living room.

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Decorator Emma Burns has worked at Sibyl Colefax & John Fowler for 25 years, where she leared her trade: ‘I was so fortunate to spend my first two years working for the legendary and talented designer Roger Banks-Pye. He taught me how the suitability of pieces, whether for a castle or a loft, was so important; never to be afraid to scale up; that rooms can be theatrical and comfortable at the same time; and never, she laughs, to be afraid of things not matching.’ Her main bathroom at her country house is papered with a discontinued Colefax and Fowler design, ‘Rameau Fleurie’.

Like this? Then you’ll love See more images from Patrick’s Victorian flat

In the living room, the fireplace overmantle is from the Aesthetic Movement. On the right, a Gesso lamp base from Pentreath & Hall is topped by a Green ‘Turquoise Flower’ Ikat Lampshade by Melodi Horne.

At first glance, Kelly’s house represents the Kelly Hoppen look in its purest form: it is a tranquil and ordered space, modern in feel and with a neutral colour palette. But, I think, a skill with which Kelly is often not credited enough is her mastery of spatial design. It is no mean feat to create a layered, structured and visually dynamic interior out of a vast open space, while still revelling in the glory of its proportions.

“Pull floor patterns from ancient buildings. One inspired the checkerboard pattern of the marble floors in my Los Angeles home.”—Nate Berkus

Mirror panelling is a masterstroke in in the bedroom. ‘It adds a huge amount of depth. I suggest putting it near or opposite a window; you’ll be amazed at how much bigger the room feels, and how they bounce the light around,’ she says. ‘Getting the spaces between the panels right is so important. This look is all about symmetry and it is imperative that the application is scrupulously neat.’ A fresh palate and delicate furniture are the finishing touches. A dark, poky corner, becomes a light, calm space.

Like this? Then you’ll love 50 ways to make your house a home

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“Every house should have a great bar. It is the central point of a party, and if you entertain a lot, it will be celebrated, so put some thought into it.”—Jordana Joseph

“Black works with any style. The misconception is that dark colors make spaces feel smaller; they actually recede.”—Carrie Fundings Land

At Luke Edward Hall’s flat a mid-century style dark green ‘Fleetwood’ sofa from Sofa.com marks the division between the seating area and dining table, and was chosen for its neat size. ‘As much as I’d love a big squishy George Sherlock sofa, they’re not always practical in a London flat,’ says Luke. A colourful array of cushions, including a velvet ikat and a burgundy cushion from Luke’s own range, decorate the sofa. A spectacular 1960s Fontana Arte mirror, found on 1stDibs, hangs above the sofa. ‘I love the segments of peach and blue glass together and the bronze frame on this one,’ explains Luke. The mirror is framed by a pair of shell sconces from The English Lamp Company and a pair of plaster ones from Peter Hone. They’re ideal for balancing a couple of pineapples on when throwing a party, according to Luke!

Ben Pentreath’s London flat is on the top floor of a peaceful Georgian building belonging to the Art Workers’ Guild. The flat is light and bright – an ideal Sunday morning space where you really can smell the coffee, a place that requires no huge effort on the part of the viewer to appreciate its manifest charms.

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Like this? Then you’ll loveThe TV cabinet to end all TV cabinets

Like this? Then you’ll loveAnatomy of a bedroom: Bunny Turner

‘This was originally one long room,’ explains Jane, of the space that is now living room on one side, and dining room on the other. ‘I had to convince my husband and my son that dividing it up like this wouldn’t make it feel smaller. We’d never really used the space in the middle anyway, and though they took a bit of convincing, they’re totally converted.’

“Use tall pieces in a low-height room. Short furnishings would make the ceiling feel that much lower to the ground.” —Jason Oliver Nixon

Interior designer Gytha Nuttall has adapted the structure of a former schoolhouse in south London to create a modern family home. The nursery of their three-year-old son Eric is fitted with floor-to-ceiling internal windows overlooking the lower floor, which add height and lashings of natural light. Gytha has streered away from cornicing opting for a cleaner finish to enhance the New York loft effect by painting all the window frames dark brown.

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Peter Mikic describes the vibe of his London home as “Claridge’s meets 1950s Milan.” The drawing room features a scene-stealing blue velvet sofa of Mikic’s own design.

In the bedroom, the cornicing and fireplace have been reproduced.

‘Display what you love, even if it seems out of context,’ says Paolo. Curiosities in this drawing room include two of his collection of silver tortoises.

In the bathroom, a charming combination of painted tongue-and-groove panelling and ‘Adams Eden’ wallpaper by Lewis & Wood works beautifully with a windowsill full of red geraniums. Installing cupboards with mirror doors saves space, provides storage and makes the room feel larger and brighter.

An abstract painting by Ramon Hernandez hangs in the central hallway at Wendy Nicholls’ london flat.

This is the sumptuous den of Jason Oliver Nixon and John Loecke, the duo behind American interior design studio Madcap Cottage. The charm of their thirties neo-Georgian house is all of their colourful personal touches. Jason and John are confirmed anglophiles, with their conversations peppered with references to the Brighton Pavilion, Colefax and Fowler, David Hicks and the Duchess of Devonshire. But their approach to decorating in the English country-house style has a special energy and flair – they revere the style, but they treat it with an appealing irreverence. Here the patterned sofa in the den is enjoyed by the duo’s French bulldog.

For more advice and images of this house, see ‘Nicky Haslam’s Folly de Grandeur: Romance and Revival in an English Country House’ (Jacqui Small, £40)

When designer Robert Moore and his partner moved from a lateral flat to a four-storey Georgian house they rose to the challenge. In the sitting room the chimney piece was found in an architectural salvage yard and is a very near-match to the original. The chairs are early nineteenth-century French.

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Ben Pentreath, who says that he “always takes inspiration from the past,” oufitted his Dorset, England country home with a yellow sofa by Max Rollitt and several pieces of his own design, including the marble-patterned lampshade, the Imari vase lamp and the patterned textiles.

The kitchen at Max’s farmhouse is decorated with simple wooden furniture.

The pendant lights in the kitchen are by Fontana Arte, while in the dining area a chandelier by David Chipperfield hangs above a Tom Dixon for Willer candelabrum. The rug was bought from eBay direct from the makers in Kyrgyzstan. ‘It has been soaked by flooding twice since being here and has lost none of its intensity of colour.’

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In short, this is a meticulously planned and carefully executed project. Rita shrugs at the compliment. ‘What I am interested in is how you live in a space, and how to be comfortable. I am constantly striving to create that comfortable room that I once stayed in, and often it’s as simple as wanting to sit down and have somewhere to put your drink and a light to read your book by. It has been interesting decorating for myself as I don’t do it in the same way that I do for clients, where I make a presentation and work it all out. Things have just sort of appeared and the space has evolved.’ And, as if on cue, Margot is awake and my decorating masterclass makes way for lengthy negotiations about her lunch.

Though the colour scheme is primarily neutral in John Minshaw’s barn conversion, he has left areas of stonework exposed to provide texture, while solid blocks of deep colour add character.

You may also like: Home Offices Sure to Inspire Creativity | Living Room Ideas | Small Space Ideas

  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Will Fisher of JambIn the bedroom, the cornicing and fireplace have been reproduced. Taken from the September 2013 issue of House & Garden. Like this? Then you’ll loveAmazing real homes Simon Upton
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Gytha NuttallInterior designer Gytha Nuttall has adapted the structure of a former schoolhouse in south London to create a modern family home. The nursery of their three-year-old son Eric is fitted with floor-to-ceiling internal windows overlooking the lower floor, which add height and lashings of natural light. Gytha has streered away from cornicing opting for a cleaner finish to enhance the New York loft effect by painting all the window frames dark brown.Taken from the May 2015 issue of House & Garden. Like this? Then you’ll loveHow to decorate with colour Alicia Taylor
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Douglas MackieIn Douglas Mackie’s study, a Thirties portrait by Spanish-Cuban artist José Segura Ezquerro and a lampshade made from antique sari material, are displayed against striking ox-blood walls.Taken from the February 2014 issue of House & Garden.Like this? Then you’ll loveHow to decorate with colour Simon Upton
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more The London Home of Wendy NichollsAn abstract painting by Ramon Hernandez hangs in the central hallway at Wendy Nicholls’ london flat.Like this? Then you’ll loveHallway Ideas To Steal Alexander James
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Mark Smith’Green Smoke’ by Farrow & Ball, has been used on the kitchen cupboards.Taken from the October 2012 issue of House & Garden. Like this? Then you’ll loveHow to decorate with colour Simon Brown
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Douglas MackieIn Douglas’s house in the Laguedoc he wanted a departure from his London home. Pink silk embroideries from the Swat Valley were the starting point for this living room. The colour is picked up in the lampshades and offset by the custom-made sofa, covered in an indigo Manuel Canovas fabric. Taken from the August 2012 issue of House & Garden.Like this? Then you’ll loveHow to create a cosy sitting room Richard Powers
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Bunny Turner of Turner PocockEven designers get their interiors inspiration from romcoms. The design of this headboard was inspired by one seen in the film The Holiday. Taken from the November 2012 issue of House & Garden. Like this? Then you’ll loveAnatomy of a bedroom: Bunny Turner Alexander James
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Jane TaylorIn this bedroom, the raised bed lifts up to reveal extra storage underneath.Taken from the May 2013 issue of House & Garden.Like this? Then you’ll loveStylish bedroom design ideas Sarah Hogan
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Emma Burns’ bathroomDecorator Emma Burns has worked at Sibyl Colefax & John Fowler for 25 years, where she leared her trade: ‘I was so fortunate to spend my first two years working for the legendary and talented designer Roger Banks-Pye. He taught me how the suitability of pieces, whether for a castle or a loft, was so important; never to be afraid to scale up; that rooms can be theatrical and comfortable at the same time; and never, she laughs, to be afraid of things not matching.’ Her main bathroom at her country house is papered with a discontinued Colefax and Fowler design, ‘Rameau Fleurie’.You may also like: Shower and wet room ideas | Bathroom Wallpaper| Small bathrooms | 20 modern bathroom ideas | Bathroom sinks and vanities | Country bathroom Ideas Simon Brown
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Ashley Hicks’ corridor artGrowing up in homes designed by David Hicks has clearly been a formative influence on interior designer Ashley Hicks. His father’s 1967 portraits are displayed in the white-walled corridor of his London flat, including the bespectacled King of Tonga and a four-year-old Ashley. He wanted to give the boring white corridor of the rented flat added zip with this cluster of favourite drawings.You may also like: Ashley Hicks’ dos and don’ts of decorating | The Hicks’ guide to decorating with geometric pattern | How to decorate a rented flat Ashley Hicks
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Paolo MoschinoThe blue-and-white scheme of the dining room is based around the eighteenth-century painted French screen that hangs on the wall. The hand-painted blue design is ‘deliberately not like wallpaper.’ Paolo worked closely with the artist Dawn Reader to create this effect. Dawn is contactable through Nicholas Haslam.Taken from the March 2013 issue of House & Garden.Like this? Then you’ll loveDesign ideas for murals and wallpaper panels Simon Brown
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Nicky Haslam’A motley crew of my favourite people adorns my mantelpiece, mixed with four small crystal vases holding one budding flower each,’ explains Nicky. ‘The cupcakes are actually egg timers. When lit, the candles in nineteenth-century French candlesticks illuminate the painting behind of the flying figure of St Joseph.’For more advice and images of this house, see ‘Nicky Haslam’s Folly de Grandeur: Romance and Revival in an English Country House’ (Jacqui Small, £40)Taken from the November 2013 of House and Garden.Like this? Then you’ll loveClever ways to display pictures Simon Upton
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Ben Pentreath Country House KitchenAt Ben Pentreath’s Georgian country house the kitchen’s Aga was installed in the Sixties; Ben added the wooden floor, painted in Farrow & Ball’s ‘Hardwick White’, and found the glazed wall cupboard in a junk shop.Like this? Then you’ll loveKitchens Sharyn Cairns
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Ann BoydHaving decided to downsize from her previous London home, a smaller flat meant decluttering. ‘That is a discipline but it is also a joy,’ says Ann.In the small galley kitchen, handle-free units from Ikea have been teamed with a Corian worktop. Mirror glass has been used for the splashback to create the illusion of space, while the pewter chargers are from I & JL Brown.Taken from the November 2010 issue of House & Garden. Like this? Then you’ll loveStylish small kitchens Rachel Smith
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Madcap Cottage’s trompe l’œil hallwayKnown for their irreverent take on English country-house style, the American duo behind Madcap Cottage have created a home filled with outlandish pattern and colour. Owners Jason and John wanted the entrance hall to convey a sense of whimsy – in part achieved with a liberal use of specialist paint finishes. John says they wanted to ‘set the tone for the rest of the house, put a little sparkle in your eye and a smile on your face – a sense of whimsy’. There is the traditional grandfather clock, a couple of wall sconces and an inviting floral arrangement on a central table, but each is eccentric in its colour and detail. And the space is a triumph of decorative paint effects, from the faux brickwork on the walls to the trompe l’œil striped tented ceiling. The wood floors are decorated with geometric pattern while the muralled wall along the stairs was inspired by one in the Rex Whistler Restaurant at Tate Britain.You may also like: Flooring ideas | The most beautiful front doors | How to hang pictures John Bessler
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Jane TaylorIn her flat – her home for the past 25 years – designer Jane Taylor has employed a number of clever space-saving devices, to turn a potentially awkward space into a smart, comfortable interior. Her home, which she shares with her husband Simon and their teenage son Henry, is a typical Edwardian mansion block in Chelsea. Although they are purpose-designed, they’re often an awkward shape and far deeper than they are wide. Her entrance door opens into a long, high and potentially rather gloomy corridor, which Jane has enlivened it with pictures. Taken from the May 2013 issue of House & Garden. Like this? Then you’ll loveHallway ideas to steal
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Paolo Moschino’Display what you love, even if it seems out of context,’ says Paolo. Curiosities in this drawing room include two of his collection of silver tortoises. Taken from the March 2013 issue of House & GardenLike this? Then you’ll love 50 ways to make your house a home Simon Brown
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Kit KempKit designed the coffee table herself and covered the two chairs in fabric by Raoul Textiles. On a budget? eBay is a great source for bright, vintage-inspired prints. Taken from the July 2013 issue of House & Garden.Like this? Then you’ll love How to decorate with colour Paul Massey
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Kelly Hoppen BathroomOne of the smaller rooms in the house is the en suite bathroom, a one-off light by Niamh Barry hangs above the bath, which is the ‘Harmony’, a design from Kelly’s collaboration with Apaiser. What she is serious about, however, is business. This year, she is launching a new high-end furniture range and through QVC, where she already sells home furnishings, she is about to launch a jewellery collection. A retrospective book is planned for publication in September. Although she left the panel of the BBC television programme Dragon’s Den last year, she is still involved in several of the businesses in which she invested.’Good designers or brands, like Ralph Lauren or Donna Karan, their philosophies have never changed,’ she says. ‘Their influences and style can change, but these are different things. It’s like if you bake a cake to a familiar recipe: you can change the topping, which will change the texture, but the overall taste and the way it makes you feel will always be the same.’Kelly Hoppen Interiors: 020-7471 3350; kellyhoppeninteriors.com | kellyhoppen.comTaken from the February 2016 issue of House & Garden.Like this? Then you’ll loveFrom colour to decor, hundreds of living room pictures to inspire Lucas Allen
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Jane TaylorSmart panelling conceals walls of wardrobes and cupboards.Taken from the May 2013 issue of House & Garden.Like this? Then you’ll loveSmall bedroom design ideas
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Hugh Leslie’Spend as much as possible on the joinery – the things that you touch and use all the time,’ says Hugh. Nowhere is this mantra more in evidence than the kitchen, where he has used a mix of colour so balanced and friendly, the space instantly effuses a feeling of calm. A luxurious touch is added by Carrara marble worktops and splashback. If you want something with the look of marble, but more durable and cost-effective, the compressed quartz composite from Compact, is much more hard-wearing but lightly veined to look like Carrara.Taken from the August 2013 issue of House & Garden.Like this? Then you’ll loveMore kitchen design ideas Lucas Allen
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Hugh Leslie’I wanted something that was eclectic and full of colour and I loved this style,’ enthuses Hugh of the coloured breakfast bar.Taken from the May 2012 issue of House & Garden. Additional text: Lisa Freedman.Like this? Then you’ll love How to design a kitchen Jefferson Smith
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Mark SmithIn the kitchen a semi-circular banquette has been used in order to seat as many as possible. Above hangs a dome-shaped pendant light by Bruno Cazin, which is offset by the zig-zag pattered linoleum floor, £69.30 per square metre at Sinclair Till.Taken from the October 2012 issue of House & Garden. Like this? Then you’ll loveMore kitchen design ideas Simon Brown
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Ben Pentreath Country House Main BedroomIn the main bedroom and bathroom at Ben Pentreath’s Georgian country house; the printed-cotton cover on the bed is Indian. Like this? Then you’ll loveBedrooms Sharyn Cairns
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Rita Konig BathroomAt Rita Konig’s London flat, Hinson’s ‘Martinique’ lines the walls.In short, this is a meticulously planned and carefully executed project. Rita shrugs at the compliment. ‘What I am interested in is how you live in a space, and how to be comfortable. I am constantly striving to create that comfortable room that I once stayed in, and often it’s as simple as wanting to sit down and have somewhere to put your drink and a light to read your book by. It has been interesting decorating for myself as I don’t do it in the same way that I do for clients, where I make a presentation and work it all out. Things have just sort of appeared and the space has evolved.’ And, as if on cue, Margot is awake and my decorating masterclass makes way for lengthy negotiations about her lunch.Taken from the March 2016 issue of House & Garden. [/i]Like this? Then you’ll loveMake a small space look bigger with these design ideas Paul Massey
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Gytha NuttallThe portrait of Gytha’s grandmother, hangs above a sofa covered in ‘Amalfi’ from Jasper Fabrics. On the opposite wall traditional potraits arranged around a a Louis XIV commode contrast with the lofty feel of the space. In the adjacent kitchen, rise-and-fall pendant lights on long flex from Holloways of Ludlow emphasise the double-height ceiling. A ‘suspended’ floor above contains bedrooms and a study.Taken from the May 2015 issue of House & Garden. Like this? Then you’ll loveHow to decorate with colour Alicia Taylor
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Diana SieffA pair of Forties chairs flank an eighteenth-century lowboy in the hallway of designer Diana Sieff. A seventeenth-century hunting picture – a junk-shop find – hangs above it.Taken from the November 2013 issue of House & Garden. Like this? Then you’ll loveBeautiful ideas for bedrooms
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Ben Pentreath’s Bloomsbury FlatIn the tiny bathroom of Ben Pentreath’s London flat, a collection of monochrome prints chime with the overscaled grisaille foliage wallpaper, ‘Richmond Park’ from Zoffany.Like this? Then you’ll loveFarrow & Ball’s essential guide to their 9 new colours and how to use them Jake Curtis
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more The London Home of Wendy NichollsLubos designed the kitchen at Wendy Nicholls’ flat, which has a more modern, clean-lined feel than the rest of the house.Like this? Then you’ll loveSmall Kitchens Alexander James
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Nicole Salvesen’s London HomeIn Nicole Salveson’s London home, the living area at the end of the room has a Roger Oates ‘Jaspe’ rug.[/i]Like this? Then you’ll loveShopping: Stylish Rugs for Every Budget Alexander James
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more John Minshaw’We had the doorway in this hall custom made,’ says architectural and interior designer John Minshaw, of this hallway in his former Georgian home.’We got a builder to form the archway, then fitted it with 20mm-thick reinforced glass, which is sunk in to the floor to give the impression that the glass is unsupported. The circular frame in the lunette above the door is fitted with back-to-back convex mirrors, which reflect the room from an altered perspective and offer an instant point of focus.I like to keep the decoration of hallways spare and unfussy. As with many Georgian houses, there is a door that leads off to the side of the hallway. I placed a large French Thirties mirror opposite it, which is of similar dimensions to the opening itself. This placing reflects the light, making the hall seem to have its own natural light source.The floor is French limestone slabs, laid on the diagonal to diminish the definition of where they start and stop, which makes the flow of the flooring through to the next room more attractive. The table is a nineteenth-century guéridon, a great style for a hallway.’Taken from the July 2012 issue of House & Garden. Like this? Then you’ll loveThe most beautiful ways to display books
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more John MinshawThough the colour scheme is primarily neutral in John Minshaw’s barn conversion, he has left areas of stonework exposed to provide texture, while solid blocks of deep colour add character.In the kitchen, John opted for the RAL colour-matching system, asking his cabinetmaker to make up a dark blue for the cupboards. While RAL does not itself manufacture any paints, its colour notation system specifies and standardises colours for use by manufacturing companies.Taken from the June 2012 issue of House & Garden. Like this? Then you’ll loveHow to decorate with blue Lucas Allen
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Michael S SmithInterior designer Michael S Smith’s modernist house in Los Angeles couldn’t be more different from his previous home – a Georgian-style manor – but he loves its ‘heroic’ architecture and large volumes of space, which allow him to create ‘sculptural compositions’ with his furniture and art.In the ‘gallery room’, Michael has complemented his classical collection with various twentieth-century pieces, among which are the ‘Meander’ coffee table by Mattia Bonetti and a pair of armchairs by Paul Dupré-Lafon. The giant burl wood sculpture is by Mira Nakashima.Taken from the March 2014 issue of House & Garden.Like this? Then you’ll love Grand designs: Michael S Smith’s LA home Simon Upton
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Bunny Turner of Turner PocockBunny Turner of design duo Turner Pocock is a designer who knows the power of opposites. Combinations of light and dark are what makes this north-facing room come to life. Primarily used as an evening and winter space, the mood is cosseting indulgence when the lights are low; but during the day, thanks to the white ceiling and curtains, the room feels airy, with its features defined. ‘Since we had a baby, we live in here,’ says Bunny. ‘It’s super comfy and inviting.’Taken from the November 2012 issue of House & Garden.Like this? Then you’ll loveMore amazing real homes Alexander James
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Robert MooreWhen designer Robert Moore and his partner moved from a lateral flat to a four-storey Georgian house they rose to the challenge. In the sitting room the chimney piece was found in an architectural salvage yard and is a very near-match to the original. The chairs are early nineteenth-century French. Taken from the June 2014 issue of House & Garden. Like this? Then you’ll loveHow to decorate with colour
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Will Fisher of JambCornicing and antique wooden floors have been painstakingly restored in the home of Will and Charlotte Fisher, the couple behind antique and reproduction specialists Jamb, in London’s Pimlico.Taken from the September 2013 issue of House & Garden.Like this? Then you’ll loveIdeas for living rooms Simon Upton
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Bunny Turner of Turner Pocock’My husband’s a bit of a “White Cube” man, while I’m more a colourist and a mood person,’ says Bunny. In the family’s drawing room, the walls are painted in Farrow & Ball’s ‘Hague Blue’, while reading lights from La Lampe Gras illuminate a pair of chairs from The French House. The jute rug is from Tim Page Carpets. Taken from the November 2012 issue of House & Garden.Like this? Then you’ll loveHow to decorate with colour Alexander James
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Ashley Hicks’ bright living roomAt Ashley Hicks’ bright London flat the view from one window was so ugly that he covered it with an image of a Bernini chapel in Rome. Other quirky features in Ashley’s rented flat include an 1862 map of London, with the screen disguising an ugly bit of fenestration. Ashley’s sofa is upholstered in custom-printed linen and the side table has an onyx top. You may also like: Ashley Hicks’ dos and don’ts of decorating | The Hicks’ guide to decorating with geometric pattern | How to decorate a rented flat Ashley Hicks
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Wendy Nicholls’ Living RoomAn eighteenth-century painting hangs above the Victorian chimneypiece in the living room of Colefax & Fowler designer Wendy Nicholls’ London flat. The artwork provides a focal point in the room, where grisaille walls were painted by Jessica Fletcher at Colefax & Fowler.Like this? Then you’ll love: Fireplace Ideas Alexander James
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Nicole Salvesen’s London HomeThe banquette seating at Nicole Salveson’s home has a map print in the background.Like this? Then you’ll loveDining Room Ideas Alexander James
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Robert MooreIn the main bathroom the walls are painted in a deep blue, ‘Basalt’ by Little Greene. The applied mouldings form a framework for the French empire wall sconces and a Fifties French mirror.Taken from the June 2014 issue of House & Garden. Additional text: Emily Tobin.Like this? Then you’ll love How to decorate with blue
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Robert MooreA new opening was created between the main bedroom and the bathroom to allow the space to flow – a feeling enhanced by the cleverly contrasting colour scheme.Taken from the June 2014 issue of House & Garden.Like this? Then you’ll love How to decorate with blue
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Nicky HaslamNicky Haslam has created a perfect reading nook in the living room of his country house; near a window for reading by natural light during the day and next to a side table with a lamp for the evening; the bookshelves are framed by a collection of pretty plates. The ‘Cloud’ armchair is from his collaboration with furniture brand Oka and costs £2,475.Like this? Then you’ll loveThe most beautiful ways to display books
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Nicole Salvesen’s London HomeNicole Salveson of Salveson Graham’s bedroom at her home in London is furnished with a Vanderhurd wool dhurrie and a ‘Duchess Paisley’ bed throw from de Le Cuona; the desk is Julian Chichester ‘Felix’ design.[/i]Like this? Then you’ll loveDecorating Ideas: Headboards Alexander James
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Luke Edward Hall’s FlatAt Luke Edward Hall’s flat a mid-century style dark green ‘Fleetwood’ sofa from Sofa.com marks the division between the seating area and dining table, and was chosen for its neat size. ‘As much as I’d love a big squishy George Sherlock sofa, they’re not always practical in a London flat,’ says Luke. A colourful array of cushions, including a velvet ikat and a burgundy cushion from Luke’s own range, decorate the sofa. A spectacular 1960s Fontana Arte mirror, found on 1stDibs, hangs above the sofa. ‘I love the segments of peach and blue glass together and the bronze frame on this one,’ explains Luke. The mirror is framed by a pair of shell sconces from The English Lamp Company and a pair of plaster ones from Peter Hone. They’re ideal for balancing a couple of pineapples on when throwing a party, according to Luke!The peach coloured marble topped table was found at one of their favourite shops, Ebury Trading and was something of an investment piece. They have balanced it with six Marcel Breuer style chairs, which were a steal from eBay. ‘It’s good to mix things up; it’s worth spending money on important items that you’ve fallen in love with, but not everything has to cost lots of money,’ says Luke. Like this? Then you’ll loveFrom colour to decor, hundreds of living room pictures to inspire » Luke Edward Hall
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Michael S SmithA polished-nickel bed designed by Michael for Jasper, is flanked by a mirror and a lamp by John Dickinson. You can find similar pieces on 1stdibs.Taken from the April 2014 issue of House & Garden.Like this? Then you’ll loveBeautiful ideas for bedrooms Simon Upton
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Emily Todhunter of Todhunter Earle’Try to make wardrobe space both decorative and unobtrusive,’ says Emily Todhunter of Todhunter Earle, who in her own London flat, has covered the wardrobe doors with ‘Chain Link’ wallpaper from Schumacher. Like this? Then you’ll loveHow to decorate with wallpaper Andrew Beasley
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Emma Burns’ entrance hallEmma Burns inherited the former stables that her parents had progressively converted as a weekend retreat, she put into practice the principles that now guide her professional work as a designer at Sibyl Colefax & John Fowler. Much of the work that Emma has been in decoration but she also raised the height of the doors from the entrance hall into both the kitchen and the drawing room to create a light and airy entrance. The lantern in the entrance hall is a discontinued design from Colefax and Fowler.You may also like: Flooring ideas | The most beautiful front doors | How to hang pictures | Loft conversion ideas | Spare room ideas | How to get organised Simon Brown
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Ann BoydWhere does the light in the room come from, and how can you maximise it? These are the first things you should think of when decorating a small room says interior designer Ann Boyd, whose tiny London pied-à-terre is packed with useful ideas.Mirror panelling is a masterstroke in in the bedroom. ‘It adds a huge amount of depth. I suggest putting it near or opposite a window; you’ll be amazed at how much bigger the room feels, and how they bounce the light around,’ she says. ‘Getting the spaces between the panels right is so important. This look is all about symmetry and it is imperative that the application is scrupulously neat.’ A fresh palate and delicate furniture are the finishing touches. A dark, poky corner, becomes a light, calm space.Taken from the November 2010 issue of House & Garden.Like this? Then you’ll loveSmall bedroom design ideas
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Ann BoydIn the bathroom Ann has installed a short-projection loo and wall-hung basin – both from Bathstore – in combination with a backdrop of mirror-glass panelling to ‘cheat’ the room’s compact proportions.Taken from the November 2010 issue of House & Garden. Like this? Then you’ll loveInside Ann Boyd’s London flat Rachel Smith
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Nicky HaslamThe pink and green bathroom is pure romance. Furniture from Nicky Haslam’s range for Oka is combined with a wall of mirror behind the bath, which opens up the tiny room and bounces around the light. Like this? Then you’ll love Stylish bathrooms
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Robert MooreA small bathroom with panelled walls has a feeling of warm, understated glamour. Taken from the June 2014 issue of House & Garden. Like this? Then you’ll love Stylish bathrooms
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Bunny Turner of Turner Pocock'”Squid Ink” from Paint & Paper Library is a colour we come back to again and again. I highly recommend it,’ says Bunny of the paint she has used in the spare bedroom of her home. ‘In a north-facing room the moody blue/grey makes the space feel cosy.’Taken from the November 2012 issue of House & Garden.Like this? Then you’ll loveSmall bedroom design ideas Alexander James
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Douglas MackieAfter restoring the Georgian details Douglas used furniture with a French bias and twentieth-century art to create an elegant ensemble.Many different textures are seen against a background of paper-backed linen by Warris Vianni on the sitting room walls. The large, asymmetric bookcase, designed by Douglas, is made of bog oak, brass and straw marquetry. The two armchairs by Terence Robsjohn-Gibbings are covered in a custom-made fabric by Toyine Sellers.Taken from the February 2014 issue of House & Garden. Like this? Then you’ll loveBrilliant bookshelves Simon Upton
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Jane TaylorA mirror-lined dressing table fits into the window reveal in the main bedroom.Taken from the May 2013 issue of House & GardenLike this? Then you’ll love Small spaces, huge inspiration Sarah Hogan
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Nicky HaslamThe rich, witty and wonderfully eclectic interiors of designer Nicky Haslam’s sixteenth-century, gothic-revival hunting lodge have long been coveted by all of us here at House & Garden. The sitting room is small but perfectly formed.’An informal sitting room should be a place where guests feel like they can put their feet on the furniture, with everything at hand,’ says Nicky. ‘Next to sofas should be a place to rest things at arm’s length. This may seem like a silly detail, but it is an important one in practice.’ A low Victorian bench, upholstered in petit point, takes the place of a coffee table.For more advice and images of this house, see ‘Nicky Haslam’s Folly de Grandeur: Romance and Revival in an English Country House’ (Jacqui Small, £40)Taken from the November 2013 of House and Garden.Like this? Then you’ll loveCosy living room ideas Simon Upton
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Max Rollitt Sitting RoomDespite the fact that Max works as an interior decorator, with up to three projects at any one-time running alongside his antiques and furniture-making businesses, when it came to furnishing and decorating the farmhouse, Max and Jane collaborated. The sitting room at Max Rollitt’s farmhouse.Like this? Then you’ll loveMake a small space look bigger with these design ideas
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Jane TaylorThe kitchen door also doubles as CD storage.Taken from the May 2013 issue of House & Garden. Like this? Then you’ll loveMore stylish kitchen ideas Sarah Hogan
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Douglas MackieExposed stonework and brushed plaster give the dining room and kitchen an irregular finish that suits the feel of the house. The plaster finish was mixed locally in Anduze, but for a similar effect try using limewash in clay by Francesca’s Paints.The pendant lights in the kitchen are by Fontana Arte, while in the dining area a chandelier by David Chipperfield hangs above a Tom Dixon for Willer candelabrum. The rug was bought from eBay direct from the makers in Kyrgyzstan. ‘It has been soaked by flooding twice since being here and has lost none of its intensity of colour.’Taken from the August 2012 issue of House & GardenLike this? Then you’ll loveHow to decorate with colour Richard Powers
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Diana SieffIn the bathroom, a charming combination of painted tongue-and-groove panelling and ‘Adams Eden’ wallpaper by Lewis & Wood works beautifully with a windowsill full of red geraniums. Installing cupboards with mirror doors saves space, provides storage and makes the room feel larger and brighter.Taken from the November 2013 issue of House & Garden.Like this? Then you’ll loveHow to decorate with wallpaper
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Ashley Hicks’ study areaWhen Ashley Hicks rented this London flat he had to contend with low ceilings, white walls throughout, ghastly beige nylon carpeting, and ugly new uPVC windows. He set about transforming the flat in his own style. Ashley’s desk has an orange Perspex top on limed oak, and he designed the klismos chair in 1997. The views from the other windows are of the Michelin building and the Fulham Road; the linen roller blinds have white painted lines that pick up the geometry of the wallpaper. You may also like: Ashley Hicks’ dos and don’ts of decorating | The Hicks’ guide to decorating with geometric pattern | How to decorate a rented flat Ashley Hicks
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Bridie HallColourful notes in the main bedroom include a painting by Mary Fedden and an orange bedcover made by Bridie. The moody grey paint is ‘Mercury’ by Fired Earth.Taken from the March 2014 issue of House & Garden.Like this? Then you’ll loveHow to decorate with colour Simon Brown
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Luke Edward Hall Study NookAt Luke Edward Hall’s flat A mustard velvet sofa from Sofa.com, decorated with cushions from Svenskt Tenn and from Luke’s range, sits opposite Duncan’s study nook. Like this? Then you’ll loveA London flat by Adam Bray full of rich colour and texture » Luke Edward Hall
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Max Rollitt KitchenMax and Jane were both brought up in Winchester but did not meet until they returned as adults and were introduced through mutual friends in a pub. ‘Max announced he was going trekking in Nepal,’ says Jane, ‘I had a gap in my schedule at exactly the same time in December, so on the spur of the moment I said I would go with him. We saw each other twice between that first meeting in May and the airport. While we were away, I decided I wanted to marry him.’The kitchen at Max’s farmhouse is decorated with simple wooden furniture.Like this? Then you’ll loveThe bedroom design of your dreams? It might just be right here… »
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Madcap Cottage’s studyA number of vintage pieces have been used in this study, which belongs to design duo Madcap Cottage, including cushions and a rug from the estate of American tastemaker C Z Guest. Owners Jason Oliver Nixon and John Loecke are behind the American interior design studio and they love to mix patterns in interiors, as reflected in their new house at High Point, North Carolina. As is often the case with designers’ homes, this house seems to represent the most distilled version of the Madcap Cottage style. You may also like: Home Offices Sure to Inspire Creativity | Living Room Ideas | Small Space Ideas John Bessler
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Diana Sieff’I got it off eBay for £200,’ says Diana of the four-poster bed in the bedroom of her Oxfordshire home. ‘I like using big furniture in small spaces because it gives the illusion that the room is larger than it is. Although I did have to take the finials off the bed posts, as they hit the ceiling.’One of Diana’s trademarks is to forgo curtains in favour of shutters. ‘I had them made,’ she explains, ‘which I prefer because they are minimal and less light-excluding.’ The walls are covered in ‘Adam’s Eden’ by Lewis & Wood.Taken from the November 2013 issue of House & Garden.Like this? Then you’ll loveSmall bedroom design ideas
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Jane TaylorThe sitting room has original parquet floors, and a coffee table which doubles as a display case for curios.Taken from the May 2013 issue of House & Garden. Like this? Then you’ll loveIdeas for living rooms
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Luke Edward Hall Bathroom CabinetIn their flat Duncan and Luke use this charming mahogany cabinet to store sheets and towels in. ‘It’s from my mother’s house and although I’ve passed things back over the years, I’ve kept hold of this piece,’ says Duncan. Hyacinths, tulips, candlesticks and magazines sit on top of the cabinet, transforming a potentially dull corner of a bathroom into a spectacle. ‘We’d like to put some ferns, in the bathroom. Plants add so much life to an interior,’ explains Luke. Like this? Then you’ll loveSee the best design ideas for bathrooms » Luke Edward Hall
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Douglas Mackie’It’s a touch of Duchess of Windsor,’ comments designer Douglas Mackie of the Maison Jansen Louis XV-style writing table in the right hand corner of his Marylebone living room – the French firm of decorators numbered Wallis Simpson among its prestigious clients in the middle decades of the twentieth century, and were known for creating reproduction pieces like this, that are now highly sought after in their own right.Mixing decorative eras with finesse, a Sandra Blow painting is flanked by a pair of twentieth-century, tortoiseshell chairs, bought from Michael Pruskin of the Pruskin Gallery and covered in a custom-made silk by Toyine Sellers. The tables and rug are of Douglas’ own design.Taken from the February 2014 issue of House & Garden. Like this? Then you’ll loveIdeas for living rooms
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Kelly Hoppen Living RoomWhat is immediately impressive at Kelly’s house is the volume of the space. Five Carrara marble steps lead down from a spacious entrance hall to a living area of gymnasium-like proportions. It took six months to dig down the one-and-a-half metres to create the six-metre-high space that Kelly wanted. ‘If it wasn’t for Matt the foreman, from London Projects, I might still be in the hotel today,’ Kelly says. Custom-made lights, created in collaboration with Robert Clift, help define the spaces in Kelly’s new open-plan house. Silk and blown glass lights hang in the living room.Like this? Then you’ll loveWe show you how to pick wallpaper to complement every room Lucas Allen
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Jane TaylorAn awkwardly shaped little corner of the dining room has been hidden behind a bookshelf. The nook has been turned into a miniature study for Jane’s husband Simon, containing a desk and shelves. Height has been utilised with shelves all the way to the ceiling, accessed by a fold-away step ladder.Taken from the May 2013 issue of House & Garden.Like this? Then you’ll loveIdeas for living rooms Sarah Hogan
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Ben Pentreath’s Bloomsbury FlatAt Ben Pentreath’s London flat both the bathroom and the two bedrooms are papered. As Ben explains, ‘I like using wallpaper because I love the layers of pattern and colour that it brings to a room.’ Soane’s delicate ‘Seaweed Lace’ wallpaper contrasts with the bold blanket from Pendleton in the main bedroom.Like this? Then you’ll loveOne top floor flat. One family of 5. Designers have turned this place into a Tardis Jake Curtis
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Kelly Hoppen Dining AreaAt first glance, Kelly’s house represents the Kelly Hoppen look in its purest form: it is a tranquil and ordered space, modern in feel and with a neutral colour palette. But, I think, a skill with which Kelly is often not credited enough is her mastery of spatial design. It is no mean feat to create a layered, structured and visually dynamic interior out of a vast open space, while still revelling in the glory of its proportions. When Kelly is not entertaining, meals are eaten in the dining nook beside the kitchen.Like this? Then you’ll loveLiving with littles? Fun ideas for kids’ bedrooms that don’t scrimp on style Lucas Allen
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Diana SieffInterior designer Diana Sieff modernised her home, a former chapel in Oxfordshire, with fresh, bold touches. The collection of vintage antlers was bought on eBay and faces the front door.Taken from the November 2013 issue of House & Garden. Additional text: Alice B-B.Like this? Then you’ll loveIdeas for living rooms James Macdonald
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Hugh LeslieInterior designer Hugh Leslie shares his flat, a former artist’s studio in Chelsea, with his partner Robert Boniske. The original boarded ceiling is still intact and has been painted in ‘Skylight’ by Farrow & Ball, while the sisal rug is from Crucial Trading (since discontinued, but they have plenty more to choose from, priced around £56 per square metre).Taken from the August 2013 issue of House & Garden.Like this? Then you’ll loveSmall spces huge inspiration Lucas Allen
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Paolo Moschino’The room is naturally dark and is only ever used in the evenings,’ says Paolo Moschino of the scheme in his country house. ‘Therefore we went for darker, warmer colours, for which the point of inspiration was the nineteenth-century Bessarabian rug.’Else­where in the room, ‘Napoli’ sofas by Paolo Moschino for Nicholas Haslam are teamed with cushions in ‘Rayure Broderie’ and ‘Hamot Rouge’ by Madeleine Castaing for Edmond Petit.Taken from the November 2013 of House and Garden.Like this? Then you’ll loveHow to decorate with colour Simon Brown
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Bridie HallThis dining room with its wonderful Victorian windows is simply furnished with an oak table and benches from Chest of Drawers in Islington. Attention focuses on the mise-en-scène above the chimney breast. Intaglio boxes are flanked by a covetable pair of sconces set with lime-green candles (find them at Bridie’s shop Pentreath & Hall), above a pair of obelisks on the mantlepiece.Taken from the March 2013 issue of House & Garden. Like this? Then you’ll love 50 ways to make your house a home
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Bridie HallThe sitting room of decorative artist and designer Bridie Hall’s house features many of her own pieces, including the cowhide and beech ‘Trav’ chair and her ‘Roman Emperor Intaglio Cases’, which hang on the wall. These work with the Ikat and Kelim cushions to add a burst of colour to the blue/grey scheme.On the mantle piece is ‘The Scholar Set’ – also by Bridie – a group of shapes based on the Platonic solids. All can be found at Pentreath & Hall, the Bloomsbury shop owned by Bridie and Ben Pentreath.Taken from the March 2014 issue of House & Garden.Like this? Then you’ll loveIdeas for living rooms Simon Brown
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Ben Pentreath Country House HallIn Ben Pentreath’s Georgian country house, the hall has original blue lias stone flags and a lunette window bringing light from the sitting room.Like this? Then you’ll loveHallways Sharyn Cairns
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Ashley Hicks’ main bedroomAshley Hicks redecorated this rented flat in west London, using handmade details and David Hicks fabrics to achieve a sophisticated and very personal look that was designed not to last. In his bedrooms are hangings held by a giant hexagon, with a David Hicks by Ashley Hicks embroidered fabric on the headboard and cushions, and its hexagon design repeated in huge scale with appliquéd ribbon on the bedspread. Screens on either side were covered with Cole & Son’s ‘Hicks Grand’ paper – more hexagons. Ugly wardrobes were revamped with stuck-on vinyl prints of Ashley’s photographs of small objects in museums, which gave the room a quite different dimension and feeling. You may also like: Small bedrooms | Clothes storage | Rita Konig: Choosing Bedlinen | Headboards | Small spaces | Upholstery | Wall murals | Wallpaper Ashley Hicks
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Robert MooreRobert designed the bedhead in the main bedroom. The fabric, ‘Palma Large’ from Bernard Thorp (£75 per metre) is also used on a chair in the bedroom and for the curtains both here and in the bathroom.Taken from the June 2014 issue of House & GardenLike this? Then you’ll loveBeautiful ideas for bedrooms Paul Massey
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Nicky HaslamFollowing his motto ‘use something red and gothic in each room and you’re all right’, Nicky’s collection for Oka has ogees, points, tracery and quatrefoils aplenty, offering the chance to recreate at least a part of his look. Here in the bedroom, ‘The Original Orangery Stepped’ bedside table works beautifully with the vertical floral border on the wall (a lovely decorative idea for older houses) and antique chintz bed canopy.Taken from the October 2013 issue of House & Garden. Like this? Then you’ll love 50 ways to make your house a home
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Rita Konig Dining RoomReturning to London from New York in 2012, having spent six years there honing her signature crisp-yet-cosy decorating style, Rita originally intended to create the perfect home for herself as single girl about town. On buying the flat, she set her mind to remodelling its interior to house a small kitchen and large entertaining space. ‘The whole thing seemed to take forever,’ she says, curling her feet under herself on a vintage sofa covered in crimson velvet. ‘But just after I moved in, I met Phil [the biographer Philip Eade], and then I was married and pregnant. I just couldn’t face moving again, so the first call I made was to the woman next door to ask if we could buy her flat.’A few steps up from the kitchen leads to the dining area, where the walls are painted in ‘Greville Pink’ by Adam Bray. Contrasting with this are the yellow leather-upholstered chairs from Philippe Hurel and a drawing by Bill Mauldin from Honor Fraser Gallery in LA. Like this? Then you’ll loveFrom tiny kitchen tables to big dining rooms, inspiration for eating in style Paul Massey
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Hugh LeslieThe house is full of Hugh’s collection of mid-twentieth century classic furniture, including the carved table designed by Sir Edwin Lutyens in 1931. Two paintings by Alvaro Guevara are grouped asymmetrically above it, while the armchair was designed by Hans Wegner.Taken from the August 2013 issue of House & Garden. Like this? Then you’ll loveHallway ideas to steal Lucas Allen
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more John MinshawThe eaves of this converted barn have been turned in to a library/office mezzanine. The bespoke aubergine bookcase with its dark red backdrop sets a very stylish tone.Taken from the June 2012 issue of House & Garden.Like this? Then you’ll loveThe most beautiful ways to display books Lucas Allen
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Gytha NuttallWhere possible, Gytha has avoided using paint. ‘I don’t really like it’ she says. ‘It gives no depth.’ Instead a linen-effect wallpaper by Flamant has been used in the main bedroom, acting as a moody backdrop to a gallery wall of pictures and the red upholstered headboard. ‘It never scuffs, and at night – with low light – it’s just magical. I’m an anti-spotlight person.’Taken from the May 2015 issue of House & Garden. Like this? Then you’ll loveHow to decorate with colour Alicia Taylor
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Ann BoydOpen shelving has been fixed to the back of the mirror panelled bedhead to create a walk-in wardrobe space tucked away from view.Taken from the November 2010 issue of House & Garden. Like this? Then you’ll loveClothes storage ideas Rachel Smith
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Kit Kemp’There is nothing less cosy than a room that feels too formal,’ says designer Kit Kemp, whose signature flair for mixing playful colour pattern is much in evidence in her London sitting room. ‘Never take things at face value; mix old furniture with new fabrics. Be as bold as you dare. An abundance of empty wall space can feel cold. I have combated this by layering some strips of old wooden panelling – which I liked for its aged patina – underneath framed artworks, including one by the artist Kathleen Hale.’Taken from the November 2013 of House and Garden.Like this? Then you’ll love How to decorate with pattern
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Nicky Haslam’Flowers play an essential role in enlivening my sitting room, ‘ says Nicky. ‘I love massed, untidy bouquets of things in season, and try to keep the room’s colour scheme in mind. I also dot single blooms around at random where needed. Almost anything can look good when it is framed well. I frame anything that appeals – postcards, let­ters, maps; everything but photographs. If I buy a small original of a picture, I’ll frame a reproduction as well to make a pair if necessary. Behind the bust of Marie Antoinette is a group of sepia engravings of Old Master drawings. The whole lot cost about a fiver; but I framed them up “grand” in rubbed gilt.”A dirt-colour hair-cord carpet covers the floor, over which I have layered a white flokati rug from Greece. They are cheap as chips, and you can bin them when they’re past it. The sofas are slip-covered in ‘Jaisalmer’ by John Stefanidis, a hard-wearing off­-white cotton. The covers are the same ones I had when I first moved in 40 years ago and they still don’t need to be replaced.”Cushions, tablecloths, curtains and tie-backs that look deliberately ‘wrong’ or oversize give an instant jolt of character. There is no fussiness in this room. Just simply cut vertical and horizon­tal planes of pattern and colour, leading the eye onwards, with short punctuation marks of surprise or wit.’For more advice and images of this house, see ‘Nicky Haslam’s Folly de Grandeur: Romance and Revival in an English Country House’ (Jacqui Small, £40)Taken from the November 2013 of House and Garden.Like this? Then you’ll loveIdeas for living rooms Simon Upton
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Kit KempThe fabric used for the bedhead and cushions in the bedroom are by Christine Van Der Hurd. Taken from the July 2013 issue of House & Garden. Like this? Then you’ll love How to decorate with pattern Paul Massey
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Max Rollitt Morning RoomMost of the land belonging to Max Rollitt’s farmhouse was sold separately, but Max and Jane bought 10 acres, as well as the farm buildings opposite the house. The grain store has been Max’s showroom since January 2015. The morning room is filled with an eclectic mix of antiques. Like this? Then you’ll loveSee the best design ideas for the ‘smallest room in the house’ »
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more The London Home of Wendy NichollsAt the London mansion flat of Colefax & Fowler’s Wendy Nicholls, an enlarged and recoloured fragment of Persian-inspired fabric by David Hicks was used to create the wallpaper in her bathroom. Like this? Then you’ll loveFeature Walls Alexander James
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Michael S SmithIn the bar area, a Seventies Steve Chase table is surrounded by three-legged art-deco chairs, in stylistic contrast to an ornate French Boulle clock bought at Bonhams.Taken from the April 2014 issue of House & Garden.Like this? Then you’ll love 50 ways to make your house a home Simon Upton
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Ben Pentreath Country House Living RoomAt Ben Pentreath’s Georgian country house plenty of seating is arranged around an ottoman in the sitting room, including a sofa from Max Rollitt, an original Howard & Sons armchair bought at a local auction, and a Regency cane bergère chair. The black linen-covered fireside chair is the ‘Chauffeuse’ from Pentreath & Hall. The door leads out to the hall.Like this? Then you’ll loveLiving Rooms Sharyn Cairns
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Ann BoydAnn has forged a reputation for creating crisp, elegant, predominantly pale interiors. ‘It’s not in my nature to live with strident colours; I like serenity,’ she says. Most of the furniture, has been recycled from her old flat; putting favourite things into a new environment creates a fresh mood straight away. There is no point in change for the sake of it,’ says Ann. ‘Moving is expensive.’ Sophie March, of The Order Restorers, was enlisted to help her with decluttering.Taken from the November 2010 issue of House & Garden. Like this? Then you’ll love Small spaces, huge inspiration Rachel Smith
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Jane TaylorThe kitchen features storage ideas galore – including this clever corner which mixes and matches shelving to brilliant, space-saving effect. Taken from the May 2013 issue of House & Garden. Like this? Then you’ll loveMore kitchen design ideas Sarah Hogan
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Mark SmithTo satisfy his hankering for an indulgently generous living space, Mark Smith reduced the bedroom count of this Kensington mansion flat from three rooms to one.The nineteenth-century Dutch secretaire in the living room is offset by a Sixties-style Perspex coffee table made by Nigel Carew Jones. ‘I wanted something that was big enough to span the seating area, but which wouldn’t fight with the other furniture or block the Luke Irwin rug, so this was perfect. It’s the most extravagant thing I’ve ever bought.’Taken from the October 2012 issue of House & Garden.Like this? Then you’ll love 50 ways to make your house a home
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Emma Burns’ drawing roomLike the rest of her house, Emma Burns’ comfortable drawing room is furnished with antique furniture, mirror and glass. Emma is one of the leading interior design directors at Sibyl Colefax & John Fowler and it has been a clear influence in her country house, The Dovecote. A chair, covered in ‘Spinone Weave’ – specially woven by Antico Setificio for Sibyl Colefax & John Fowler – continues the pink theme, which is subtly threaded through the corners of the room. The oak corner cupboard is eighteenth century and came from Cowbridge in Wales.You may also like: Living room colours | Country living rooms | Beautiful Wallpaper Ideas | Curtain Ideas | Living room lighting Simon Brown
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Ann BoydWithin seconds of viewing this flat, Ann recalls detailing a soothing colour scheme and square panelling – out loud – to her startled estate agent. When the flat was completed, she invited the agent round for a drink. ‘She couldn’t believe I had exactly replicated my plans.’With characteristic verve, Ann had the flat gutted and completed within six weeks. The walls were transformed with MDF and mirror-glass panelling, the square design inspired by the original Crittal windows. ‘I am partial to MDF panelling; it hides a multitude of sins,’ she says. Preferring bare walls, a single painting on linen by Deborah Nicholl hangs in the drawing room. Taken from the November 2010 issue of House & Garden.Like this? Then you’ll loveHallway ideas to steal
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Patrick Williams of Berdoulat DesignThe alcove behind the door has been turned into a charming sleeping nook. Enclosed behind the curtain are shelves and a lamp for reading. The room is painted in Farrow & Ball’s ‘Lamp Room Gray’, while the random-width floorboards were bought on eBay. Reclaimed drawers are used under the bed as storage.Taken from the November 2012 issue of House & Garden. Like this? Then you’ll loveSmall bedroom ideas
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Hugh LeslieIn Hugh’s bathroom, Artemide ‘Dioscuri’ lights float on the surface of the mirror like bubbles in a bath. The motif is echoed in the handles of the teal cabinets, which were designed by Hugh, providing plenty of much-needed storage in the small space.Taken from the August 2013 issue of House & Garden.Like this? Then you’ll love Stylish bathrooms Lucas Allen
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Bunny Turner of Turner PocockWardrobes from Oka sit either side of a fireplace filled with logs, while a bold chevron rug adds colour to the space. Taken from the November 2012 issue of House & Garden.Like this? Then you’ll love 50 ways to make your house a home Alexander James
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Rita Konig BedroomVisitors to Rita’s flat must enter from the street through a door into an unexpected and exquisite garden (she describes her bed of box balls as one of her ‘best investments’). ‘It was when I realised that I could give this flat its own entrance through the garden that the property started to get exciting,’ she says. When living in New York, all her apartments opened straight into the kitchen and she wanted to continue the look in London. ‘This seemed to work very well coming off the garden, just like houses in the country where there is almost always a door to the garden from the kitchen. And it is very jolly for when people come over for dinner, and when arriving with shopping bags.’Originally Rita’s room before the expansion, the spare room has curtains in ‘Broadcloth’ felt from Hainsworth and is lined in Tyler Hall’s ‘First Bloom’ wallpaper from Tissus d’Hélène, with a Guatemalan tapestry that Phil brought back from his travels.Like this? Then you’ll loveThe London flat of Luke Edward Hall and Duncan Campbell Paul Massey
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Ben Pentreath’s Bloomsbury FlatBen Pentreath’s London flat is on the top floor of a peaceful Georgian building belonging to the Art Workers’ Guild. The flat is light and bright – an ideal Sunday morning space where you really can smell the coffee, a place that requires no huge effort on the part of the viewer to appreciate its manifest charms.In the living room, the fireplace overmantle is from the Aesthetic Movement. On the right, a Gesso lamp base from Pentreath & Hall is topped by a Green ‘Turquoise Flower’ Ikat Lampshade by Melodi Horne.Like this? Then you’ll loveSome of our favourite neutral rooms from the House & Garden archive Jake Curtis
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Mark SmithAn inspired touch was to run the worktop right into and around the bay window.Taken from the October 2012 issue of House & Garden.Like this? Then you’ll loveStylish small kitchens Simon Brown
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Jane Taylor’This was originally one long room,’ explains Jane, of the space that is now living room on one side, and dining room on the other. ‘I had to convince my husband and my son that dividing it up like this wouldn’t make it feel smaller. We’d never really used the space in the middle anyway, and though they took a bit of convincing, they’re totally converted.’Not only does the cabinet create two rooms from one, it acts as a decorative focal point, a place to store DVDs and best of all, at the touch of a button a flat-screen television rises from the base.Taken from the May 2013 issue of House & Garden. Like this? Then you’ll loveThe TV cabinet to end all TV cabinets Sarah Hogan
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Kelly Hoppen BedroomEventually, and perhaps inevitably, the conversation comes round to colour. ‘You probably haven’t even noticed the other major thing I’ve done here,’ she says. And it’s at this point that I come to appreciate not only Kelly’s dedication to detail, but also her refusal to take herself too seriously. ‘I’ve mixed sand with taupe,’ she says with mock triumph. Without going into the details of the Kelly Hoppen colour theory, this break with her own rule (see page 104 of her book Design Masterclass, published by Jacqui Small) is a big deal. The oak floors, laid in a herringbone pattern, are a sand colour. The woodwork on the walls is ‘Classic Kelly Taupe’. The two colours meet again on cushions that sit on the white sofas. ‘It took me months of toing and froing, asking people in the studio, “Do you think I’m making a mistake?” ‘ As she laughs, she adds, ‘People are going to think I’m mad when they read this.’ When she later declares that ‘khaki is my new taupe’ – it is used generously in one of the spare rooms – she shows an acute awareness of how her work is perceived. The main bedroom in the house has an internal window looking down onto the open-plan ground floor.Like this? Then you’ll loveOur indispensable directory of design professionals for your house and garden Lucas Allen
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Patrick Williams of Berdoulat DesignShunning our throwaway culture, interior designer Patrick Williams of Berdoulat Design used salvaged finds and traditional techniques to imaginatively restore his Victorian flat in east London. The plaster walls in the kitchen are sealed with beeswax to make them water resistant. A lover of good design, Patrick even decants his washing-up liquid into an old-fashioned Fairy bottle. Like this? Then you’ll love See more images from Patrick’s Victorian flat
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Madcap Cottage’s denThis is the sumptuous den of Jason Oliver Nixon and John Loecke, the duo behind American interior design studio Madcap Cottage. The charm of their thirties neo-Georgian house is all of their colourful personal touches. Jason and John are confirmed anglophiles, with their conversations peppered with references to the Brighton Pavilion, Colefax and Fowler, David Hicks and the Duchess of Devonshire. But their approach to decorating in the English country-house style has a special energy and flair – they revere the style, but they treat it with an appealing irreverence. Here the patterned sofa in the den is enjoyed by the duo’s French bulldog.[i]You may also like: A masterclass in Mixing Pattern by Madcap Cottage | Modern living rooms | Small living rooms | Living room colours | Beautiful Wallpaper Ideas | Curtain Ideas | Living room lighting John Bessler
  • figure-facebook figure-twitter figure-whatsapp figure-pinterest figure-email figure-zoom cta-more Douglas MackieWhen Douglas and his partner Julian Jackson bought this house in the Languedoc region of the South of France, it was a chance for him – a knowledgeable collector of textiles – to show off his stock of older pieces.’I have always been an avid collector, and now their rich saturated colours sit wonderfully well in the shafts of sunlight of a southern home.’ In the bedroom a French eighteenth-century tapestry hangs behind the copper bath.Taken from the August 2012 issue of House & Garden.Like this? Then you’ll love Stylish attic rooms Richard Powers

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The alcove behind the door has been turned into a charming sleeping nook. Enclosed behind the curtain are shelves and a lamp for reading. The room is painted in Farrow & Ball’s ‘Lamp Room Gray’, while the random-width floorboards were bought on eBay. Reclaimed drawers are used under the bed as storage.

Eventually, and perhaps inevitably, the conversation comes round to colour. ‘You probably haven’t even noticed the other major thing I’ve done here,’ she says. And it’s at this point that I come to appreciate not only Kelly’s dedication to detail, but also her refusal to take herself too seriously. ‘I’ve mixed sand with taupe,’ she says with mock triumph. Without going into the details of the Kelly Hoppen colour theory, this break with her own rule (see page 104 of her book Design Masterclass, published by Jacqui Small) is a big deal. The oak floors, laid in a herringbone pattern, are a sand colour. The woodwork on the walls is ‘Classic Kelly Taupe’. The two colours meet again on cushions that sit on the white sofas. ‘It took me months of toing and froing, asking people in the studio, “Do you think I’m making a mistake?” ‘ As she laughs, she adds, ‘People are going to think I’m mad when they read this.’ When she later declares that ‘khaki is my new taupe’ – it is used generously in one of the spare rooms – she shows an acute awareness of how her work is perceived.

In the ‘gallery room’, Michael has complemented his classical collection with various twentieth-century pieces, among which are the ‘Meander’ coffee table by Mattia Bonetti and a pair of armchairs by Paul Dupré-Lafon. The giant burl wood sculpture is by Mira Nakashima.

Ashley Hicks redecorated this rented flat in west London, using handmade details and David Hicks fabrics to achieve a sophisticated and very personal look that was designed not to last. In his bedrooms are hangings held by a giant hexagon, with a David Hicks by Ashley Hicks embroidered fabric on the headboard and cushions, and its hexagon design repeated in huge scale with appliquéd ribbon on the bedspread. Screens on either side were covered with Cole & Son’s ‘Hicks Grand’ paper – more hexagons. Ugly wardrobes were revamped with stuck-on vinyl prints of Ashley’s photographs of small objects in museums, which gave the room a quite different dimension and feeling.

Thomas Hamel’s Sydney, Australia, living room features several pieces by Gregorius Pineo for Kneedler Fauchere, including the sofa, coffee table and side table. The George III giltwood console table by the window is topped with African wooden sculptures, and all items are from Martyn Cook Antiques. Photo courtesy of Thomas Hamel & Associates

Growing up in homes designed by David Hicks has clearly been a formative influence on interior designer Ashley Hicks. His father’s 1967 portraits are displayed in the white-walled corridor of his London flat, including the bespectacled King of Tonga and a four-year-old Ashley. He wanted to give the boring white corridor of the rented flat added zip with this cluster of favourite drawings.

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An inspired touch was to run the worktop right into and around the bay window.

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Each of the 14 bedrooms in Timothy Corrigan’s 18th-century Loire Valley estate Château du Grand-Lucé reflects a distinct design sensibility. This blue-gray guest room includes an antique Portuguese rug, an 18th-century Swedish chandelier, a pair of 19th-century British side tables and a Louis XVI chair.

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Like this? Then you’ll loveDesign ideas for murals and wallpaper panels

A number of vintage pieces have been used in this study, which belongs to design duo Madcap Cottage, including cushions and a rug from the estate of American tastemaker C Z Guest. Owners Jason Oliver Nixon and John Loecke are behind the American interior design studio and they love to mix patterns in interiors, as reflected in their new house at High Point, North Carolina. As is often the case with designers’ homes, this house seems to represent the most distilled version of the Madcap Cottage style.

After restoring the Georgian details Douglas used furniture with a French bias and twentieth-century art to create an elegant ensemble.

“The most important first step in design is a good floor plan.”—Jessica Helgerson

Where possible, Gytha has avoided using paint. ‘I don’t really like it’ she says. ‘It gives no depth.’ Instead a linen-effect wallpaper by Flamant has been used in the main bedroom, acting as a moody backdrop to a gallery wall of pictures and the red upholstered headboard. ‘It never scuffs, and at night – with low light – it’s just magical. I’m an anti-spotlight person.’

Interior designer Diana Sieff modernised her home, a former chapel in Oxfordshire, with fresh, bold touches. The collection of vintage antlers was bought on eBay and faces the front door.

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“Don’t be afraid of dark. I used this rich Benjamin Moore Midnight Blue on an accent wall—darker than I’d ever dared. It made the whole space come to life.” —Jean Larette

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“Faux paint, lush lacquer, or wallpaper on a ceiling will garner that ‘Wow’ response.” —Leslie May

‘We had the doorway in this hall custom made,’ says architectural and interior designer John Minshaw, of this hallway in his former Georgian home.

‘The room is naturally dark and is only ever used in the evenings,’ says Paolo Moschino of the scheme in his country house. ‘Therefore we went for darker, warmer colours, for which the point of inspiration was the nineteenth-century Bessarabian rug.’

“When you’re given a dark space that doesn’t have great light, create your own light. In this kitchen, we used Sherwin-​Williams’s sunny Ener­getic Orange, and it turned out just fabulous— so cheerful.”—Matthew Boland

An eighteenth-century painting hangs above the Victorian chimneypiece in the living room of Colefax & Fowler designer Wendy Nicholls’ London flat. The artwork provides a focal point in the room, where grisaille walls were painted by Jessica Fletcher at Colefax & Fowler.

From colour to decor, hundreds of living room pictures to inspire »

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The bedroom design of your dreams? It might just be right here… »

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“Every room is like a 2D painting, where composition requires balance and harmony. Here, a backdrop of neutral grey holds the punches of color,” Barbara Barry says of her Beverly Hills living room. A pair of Barbara Barry for Baker furniture chairs flank a round cocktail table by Barbara Barry Realized by Henredon. Photo by David Meredith

To satisfy his hankering for an indulgently generous living space, Mark Smith reduced the bedroom count of this Kensington mansion flat from three rooms to one.

‘My husband’s a bit of a “White Cube” man, while I’m more a colourist and a mood person,’ says Bunny. In the family’s drawing room, the walls are painted in Farrow & Ball’s ‘Hague Blue’, while reading lights from La Lampe Gras illuminate a pair of chairs from The French House. The jute rug is from Tim Page Carpets.

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“Update your light switches! Elegant controls add a spectacular element to an older home or character to a new one.” —Courtney Hill

“Classics never go out of style. I hesitated about doing a white kitchen in my own house, thinking I’d been there, done that. But I’m so glad I did. I will never tire of it.”—Alexandra Kaehler

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Mixing decorative eras with finesse, a Sandra Blow painting is flanked by a pair of twentieth-century, tortoiseshell chairs, bought from Michael Pruskin of the Pruskin Gallery and covered in a custom-made silk by Toyine Sellers. The tables and rug are of Douglas’ own design.

From colour to decor, hundreds of living room pictures to inspire

An awkwardly shaped little corner of the dining room has been hidden behind a bookshelf. The nook has been turned into a miniature study for Jane’s husband Simon, containing a desk and shelves. Height has been utilised with shelves all the way to the ceiling, accessed by a fold-away step ladder.

In the kitchen a semi-circular banquette has been used in order to seat as many as possible. Above hangs a dome-shaped pendant light by Bruno Cazin, which is offset by the zig-zag pattered linoleum floor, £69.30 per square metre at Sinclair Till.

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Despite the fact that Max works as an interior decorator, with up to three projects at any one-time running alongside his antiques and furniture-making businesses, when it came to furnishing and decorating the farmhouse, Max and Jane collaborated.

The fabric used for the bedhead and cushions in the bedroom are by Christine Van Der Hurd.

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Interior designer Hugh Leslie shares his flat, a former artist’s studio in Chelsea, with his partner Robert Boniske. The original boarded ceiling is still intact and has been painted in ‘Skylight’ by Farrow & Ball, while the sisal rug is from Crucial Trading (since discontinued, but they have plenty more to choose from, priced around £56 per square metre).

‘I have always been an avid collector, and now their rich saturated colours sit wonderfully well in the shafts of sunlight of a southern home.’ In the bedroom a French eighteenth-century tapestry hangs behind the copper bath.

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Open shelving has been fixed to the back of the mirror panelled bedhead to create a walk-in wardrobe space tucked away from view.

A small bathroom with panelled walls has a feeling of warm, understated glamour.

Photo by John Gruen from Living Traditions: Interiors of Matthew Patrick Smyth, by Monacelli Press.

The morning room is filled with an eclectic mix of antiques.

You may also like: Small bedrooms | Clothes storage | Rita Konig: Choosing Bedlinen | Headboards | Small spaces | Upholstery | Wall murals | Wallpaper

“In my living room, I wanted to create a modern, nature-inspired, worldly interior,” Fawn Galli says of her Brooklyn townhouse. “I enjoy pairing whimsy with hard-edged modern. I love to mix different styles to create something new. I believe all these elements make a room unidentifiable and magical.” The space includes a Milo Baughman armchair, a vintage chesterfield sofa (“for British funk,” as Galli puts it), an Eileen Gray side table and drapes from Laos. Photo by Costas Picadas

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Taken from the June 2014 issue of House & Garden. Additional text: Emily Tobin.

Interior designer Michael S Smith’s modernist house in Los Angeles couldn’t be more different from his previous home – a Georgian-style manor – but he loves its ‘heroic’ architecture and large volumes of space, which allow him to create ‘sculptural compositions’ with his furniture and art.

“The room is on the first floor of an 18th-century house in Marylebone, London, renovated by me five years ago,” Douglas Mackie says of his living room. “I spent nearly six months restoring cornices, replacing the modern fireplace with an 18th-century design fireplace by Jamb, and replastering the entire apartment in order to create a setting for my collection of largely 20th-century British art.” The painting above the fireplace is a 1960s piece by Sandra Blow, and Mackie notes that “this was the starting point for the decoration of the room.” Photo by Simon Upton

In Hugh’s bathroom, Artemide ‘Dioscuri’ lights float on the surface of the mirror like bubbles in a bath. The motif is echoed in the handles of the teal cabinets, which were designed by Hugh, providing plenty of much-needed storage in the small space.

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The sitting room in Ben Pentreath’s country house, an early 19th-century parsonage in Dorset, England, has a restful feel. In putting it together, the designer wanted to keep the mood similarly light and quiet. The yellow sofa is from Max Rollitt, and the lampshades and bases are from his shop, Pentreath & Hall. Photo by Jason Ingram

“Make sure you’re having fun. What’s more fun than making your own home more beautiful.”—Eche Martinez

With characteristic verve, Ann had the flat gutted and completed within six weeks. The walls were transformed with MDF and mirror-glass panelling, the square design inspired by the original Crittal windows. ‘I am partial to MDF panelling; it hides a multitude of sins,’ she says. Preferring bare walls, a single painting on linen by Deborah Nicholl hangs in the drawing room.

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“Peter and I had a great time designing the house,” Katie Ridder says of the Millbrook, New York, country home she built with husband, architect Peter Pennoyer. “Starting with the tile in the front entry, I wanted a really unusual color and scale. I’ve always loved Moroccan glazed tiles from my trips to Marrakesh, so the palate started with the purple tile. From there it was working with complimentary colors. I wanted the house to be open, so that when just Peter and I were there, it would be comfortable — even when he was in one room and I was in the next.” Photo by Eric Piasecki

Farrow & Ball’s essential guide to their 9 new colours and how to use them

When Ashley Hicks rented this London flat he had to contend with low ceilings, white walls throughout, ghastly beige nylon carpeting, and ugly new uPVC windows. He set about transforming the flat in his own style. Ashley’s desk has an orange Perspex top on limed oak, and he designed the klismos chair in 1997. The views from the other windows are of the Michelin building and the Fulham Road; the linen roller blinds have white painted lines that pick up the geometry of the wallpaper.

At Rita Konig’s London flat, Hinson’s ‘Martinique’ lines the walls.

Like this? Then you’ll love Grand designs: Michael S Smith’s LA home

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Most of the land belonging to Max Rollitt’s farmhouse was sold separately, but Max and Jane bought 10 acres, as well as the farm buildings opposite the house. The grain store has been Max’s showroom since January 2015.

Following his motto ‘use something red and gothic in each room and you’re all right’, Nicky’s collection for Oka has ogees, points, tracery and quatrefoils aplenty, offering the chance to recreate at least a part of his look. Here in the bedroom, ‘The Original Orangery Stepped’ bedside table works beautifully with the vertical floral border on the wall (a lovely decorative idea for older houses) and antique chintz bed canopy.

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Originally Rita’s room before the expansion, the spare room has curtains in ‘Broadcloth’ felt from Hainsworth and is lined in Tyler Hall’s ‘First Bloom’ wallpaper from Tissus d’Hélène, with a Guatemalan tapestry that Phil brought back from his travels.

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‘I got it off eBay for £200,’ says Diana of the four-poster bed in the bedroom of her Oxfordshire home. ‘I like using big furniture in small spaces because it gives the illusion that the room is larger than it is. Although I did have to take the finials off the bed posts, as they hit the ceiling.’

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The living room features an Eames lounge chair and ottoman, and an Hermès throw is draped over the arm of the sofa. Photo by Steven Busken

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At architect Steven Harris and interior designer Lucien Rees Roberts’s Croatian vacation home, the kitchen and dining area is located in a cistern tower that was constructed in the 1460s. “The walls feature original plaster and stone work while antique stone was used for the floor,” according to the pair. “The clean lines and natural textures of the furniture are a great complement to the original character of this space.” The space features vintage Eero Saarinen Tulip chairs and a 1960s Italian Murano glass chandelier. Photo by Scott Frances / OTTO

Many different textures are seen against a background of paper-backed linen by Warris Vianni on the sitting room walls. The large, asymmetric bookcase, designed by Douglas, is made of bog oak, brass and straw marquetry. The two armchairs by Terence Robsjohn-Gibbings are covered in a custom-made fabric by Toyine Sellers.

“When clients want a quick, impactful update, I recommend the pieces that take up the most surface area, like rugs, paint color, or window treatments.”—Tina Ramchandani

Kelly Behun‘s beachside Long Island, New York home is furnished with organic textures — woven textiles, hand-made ceramics and potted trees — that contrast with the residence’s clean-lined contemporary architecture. The antique Samarkand rug is from Doris Leslie Blau, the Boa sofa is by the Campana Brothers and Behun designed the macrame plant holders.

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When Kelly is not entertaining, meals are eaten in the dining nook beside the kitchen.

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Stephen Shadley cites his client Diane Keaton as one of his inspirations behind the decor of his upstate New York retreat. “She has an eye for antiques, and taught that you really need to make a statement with your collection by having a large amount of pieces. I became an avid collector and have never stopped.” The Windsor chairs are by Heywood-Wakefield, and the table linens and china are by Russell Wright.

Some of our favourite neutral rooms from the House & Garden archive

“If punk rock has taught me anything, it’s to do everything yourself. All of my favorite interior designers were self-taught.”—Max Humphrey

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