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Renovating an 18thcentury house in paraty brazil was one of parisbased interior designer alberto pintos last
Interior Designer Alberto Pintos Residence In Rio De Janeiro

Interior Designer Alberto Pintos Residence In Rio De Janeiro Interior Designer Alberto Pintos Residence In Rio De Janeiro

When one’s working life is spent conceiving and installing some of the most impressively soigné interiors in the world, a laid-back personal refuge is practically an occupational requirement. For Alberto Pinto—a tastemaker whose staggeringly A-list client roster includes French banker Michel David-Weill, American industrialist David Koch, and Moroccan monarch Mohammed VI—that escape is a colorful four-bedroom apartment on Ipanema, the Rio de Janeiro beach that became a household word thanks to a 1960s bossa nova tune.

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“The Latin ambience corresponds perfectly to my temperament,” says the designer, who is based in Paris but was born in Casablanca to Argentine parents of Italian and French descent. “When I was young, I used to go to Brazil once or twice a year. It’s a nice, happy, cool country.” What better reasons to put down roots there? To that end, Pinto recently completed a villa for himself in Paraty, a 17th-century Portuguese colonial town. He also enjoys satisfying stretches of downtime at the Ipanema address, a duplex on the top two floors of a small building overlooking the Atlantic.

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A host of some renown (“Alberto has so many napkins and so much china that he never sets the table the same way twice,” marvels a friend, French society figure Jackie de Ravenel), the designer also wanted the size of the living room increased, which was done by annexing several smaller spaces. It’s now home to two seating areas equipped with lean sofas, 1950s Italian armchairs, and William Haines Hostess seats inviting guests to assume sultry Cariocan postures. Bisecting the sunny space is a minimalist open staircase framed in polished chrome that ascends to the second floor.

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A sophisticated mingling of cultural influences has been a hallmark of Pinto’s work since the former photography agent took up interior design more than four decades ago, and he is keenly aware that geography can be decorating destiny. The mise-en-scène in his high-style Ipanema home, for instance, makes an anthropological statement, reflecting Brazil’s vibrant intersection of African, Amerindian, and Portuguese cultures as well as its rich zoological heritage. Leopard-fur cushions are scattered across one of the living room sofas, a nod to the jaguars of the Amazon rain forest (Pinto recycled ’50s leopard coats acquired at the Paris auction house Drouot). A similarly spotted cotton dapples the T. H. Robsjohn-Gibbings chairs in the dining room. Since the latter space has no windows and therefore no entrancing views, Pinto felt the decor could be bolder, so he commissioned large panels made of thousands of butterfly wings (farmed, not wild) that echo the sumptuous feather capes of the indigenous Tupinambá people. Behind the panels is storage for tableware.

Explore2011magazineSeptember 2011ad100alberto pintodecorcontributor:Carlos Mota

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The apartment, with its vocabulary of lush colors, rugged textures, and strong silhouettes, not only symbolizes an immense country where emperors once reigned, but one where jungles have always ruled. It is also aesthetic shorthand for a perpetually globe-trotting designer working at the top of his game. “A mix of cultures,” Pinto says simply. “It really sums me up.”

Upstairs, in the master dressing area and bath, walls and cabinets of bleached mahogany call to mind the barns of Brazil’s cattle-ranching operations. Meticulous joinery and artfully scored surfaces, however, bring that rural reverie up an elegant notch. A ’70s Alexander Calder–inspired wall hanging of woven maguey fiber—from a limited-edition series produced to raise money for Nicaraguan earthquake victims—is displayed in one of the three guest rooms, its central whiplash design reminiscent of the wave-pattern pavement that has been a Rio leitmotif for decades. In another bedroom, this one with walls striéd sky-blue, stands a Baroque red-lacquer secretary that looks like it could have been brought over when the Portuguese court fled to Rio during the Peninsular War of the early 19th century. Upstairs and down, the rugs are made of earthy fibers, such as a runner of plaited rope in the hall outside the dining room. “Materials like these are more appropriate to Brazil than silks and velvets,” Pinto observes.

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This beautiful apartment belongs to interior designer Alberto Pinto. It’s located in Rio de Janeiro and it’s like a stylish mini-version of Brazil. The apartment features earthy textures and vivid colors. This is the look that the apartment got after it was remodeled. For this, the designer worked with Thiago Bernardes of Bernardes + Jacobsen, a Brazilian architecture firm with a tropical-modernist approach.Since the views from the apartment were so beautiful, the exterior walls of the living room had to be knocked down.

Also during the remodel, the living room became bigger. It currently includes not one but two seating areas. They both feature comfortable sofas, stylish 1950s Italian armchairs and elegant coffee tables. An open staircase then leads to the second floor. Here the private areas are located. Overall, the apartment is very beautiful. It’s minimalist and elegant and the colors are always in balance. The furniture is mostly neutral but there are touches of color here and there. The colorful artwork completed the whole image.{found on ad}.

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To remodel the Rio apartment, Pinto called on Thiago Bernardes of Bernardes + Jacobsen, a Brazilian architecture firm with a tropical-modernist approach. Bernardes knocked out the living room’s exterior wall to emphasize the views and replaced it with floor-to-ceiling sliding glass doors that open to a terrace. From the moment a visitor walks in, Pinto explains, “you are confronted by the immensity of the ocean.” The Atlantic and the rugged Cagarras archipelago compete for attention with a 33-foot-long terrace wall of fluttering orchids in shades of white, purple, yellow, and orange. “My friends and I spend a lot of time out there,” Pinto says. “It’s where we take lunch and dinner or just lounge around.”

Interior Designer Alberto Pinto’s Residence in Rio de Janeiro

They were replaced with floor-to ceiling sliding glass doors. This way the views are not obstructed by anything and It’s also easier to access the terrace. The panoramic views over the Atlantic and wonderful and they are visible right from the entrance. Moreover, there’s also the 33-foot long terrace from where both the Atlantic and the Cagarras archipelago are visible. The terrace is decorated with white, purple, yellow and orange orchids.

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